THE AUDITORIUM hadn’t changed. The murals of the indigenous hunter-gatherers were still on the walls, paintings of the early colonists cutting ice from the bay. It was a school concert. For many years of my life, the seasons had been measured in school concerts. Christmas songs at Christmas, songs of springtime in spring. Musicals, Broadway, pop songs. Do you remember when we sang “Penny Lane”? And how Mr. Asunción played the stirring solo on his trumpet?
The auditorium was full of teenagers in white shirts. It was a Motown retrospective. They were doing “Dancing in the Streets” as they came down the aisles. I knew that the back of the auditorium connected to a secret hallway that led to the music classroom. I followed the singers down the aisle and disappeared into the darkness behind the sleepy American flag.
The secret hallway also hadn’t changed. It was full of boxes of equipment that were used for theatre arts productions. Costumes, scenic designs. We had once stood here, silently sweating in our concert clothes, waiting for the cue to go out on stage. There was a cool air in the hallway, I could hear them all singing. It was “Build Me Up Buttercup” by The Foundations.
And then I saw them. Two silver metal towers, modeled on the one in France. They had been used and reused in any number of plays. I took both of them with me, one under each arm. Somehow, I was able to carry both out the door into the school yard. I was able to get them by the crowds of applauding parents. In front of the school, I saw Brynhild’s dog first, then she came walking after him. She looked as she usually did, white, freckly, grotesque. She said, “Well, hello there. How does it feel to be a thief? Don’t you feel any shame?” She laughed when she said it. Brynhild’s weary laugh. She lay in the grass and toyed with some flowers, touching them. She was completely out of context here. The thing is that I didn’t feel ashamed at all. Theft came quite naturally to me. It was as if the old silver towers had always belonged to me.
