easter in lanzarote

IF PEOPLE HAD EVER colonized the moon, they would have built such houses. White stone rectangles clustered across the lunar black rock interior of Lanzarote. This is the most volcanic Canary Island, the least vegetated. The capital Arrecife is just a conurbation of white housing blocks, sectioned off by streets and palm trees. To its south is Puerto del Carmen, the resort town, where there are hotels, pools, tennis courts, and holiday guests. Most of them are English, but some of the guests are Estonians too. There are some Welsh people here as well.

“That’s why we make you pay a toll at the end of the bridge,” a Welsh woman shouted at an Englishman by the pool. “To stop all you English from coming into our bloody country!”

You can find the Estonians ringing the pools, paperbacks in hand. Their goal is to soak up the sun, to get brown by the second of June, et saada pruuniks, teiseks juuniks, as the refrain to a popular song goes. Upon return to the fatherland, the quality of their vacation will be assessed by their skin tone. The old ladies will grip them by the wrist outside the Konsum supermarket and study them through their spectacles. “Oh, my, look how brown you are, dear.” This is what the Estonians pay for. Some tan well, becoming a moreno mellow gold, and the ones with light hair and light eyes look exotic with their brown skin. Others cannot get brown for their lives, but rather turn more miserable shades of wet pink, like a melting strawberry ice cream.

Estonians on holiday are not really friendly to other Estonians. There is little sense of camaraderie in crossing the paths of fellow countryman on a far-off isle. They do come from a rather small country and speak a rather unique language, but this is viewed as purely incidental, a rather irrelevant technicality. Those other Estonians are still strangers. I’m reading The Shipping News by Annie Proulx. I identify with Quoyle. My daughter is like Bunny.

***

I don’t have the resources to put on an Italian or Estonian Easter for our daughter, aged 8, who is with me this Easter on Lanzarote. When we booked the package trip a year ago, we must not have paid attention exactly to when Easter was. To put on an Italian Easter requires family, and we have no other family here, and it also requires a feast, and I don’t have the patience or skill to assemble trays of manicotti and lasagne for just two people. To put on an Estonian Easter requires a box of eggs and a bag of onions, just so I can use their peels to dye the eggs that wonderful kaleidoscopic color, as the Estonians do. Then she and I can play that game where you hit the eggs against each other to see whose egg is strongest. Whoever thought up that game must have been really bored. I decide to give the girl an American Easter. I purchase a dozen chocolate eggs from a nearby shop and hide them in our bungalow. She finds them.

***

Every night at the resort there is a children’s disco. Could there be any better evidence of the success of the European project than an Estonian girl sipping ginger ale through a straw and playing games with German, Dutch, and Danish children? Her best friends are a set of red-headed twin girls from England. They get into all kinds of mischief. They get sticky goo from a vending machine full of cheap kids toys and toss it until it sticks to the ceiling. Then they stand on the pool table and use the cues to scrape it down. Sometimes I have to help them.

Mimmo, a Sicilian with a pencil-thin mustache and white hat who entertains the children during the disco, has befriended me because according to him we are both Italians. Canarios can count the number of Americans they’ve seen on the islands on one hand. Maybe four.

The woman who entertains the children with Mimmo is named Marcela. She is a native Canaria and is very vibrant, loud, playful, enthusiastic, voluptuous. Marcela has chestnut hair and green eyes and freckles on her cheeks. Canarian women are as welcome to me as the sun itself. Whenever I see Marcela, or Teresa, who is from La Gomera but lives on Lanzarote, and who works at the supermarket down the street, I feel warm. I linger there as I buy bananas.

***

After breakfast, I rent a car and we drive to the north of the island. We leave Puerto del Carmen and then pass Arrecife, ride along the pretty rocky coastline to Guatiza, Mala, Arrieta, and Punta Mujeres. “Are you sad you’re not with your family on Easter?” I ask my daughter, who is half dozing in the passenger’s side seat, while munching on a bag of potato chips. “No,” she says. We pass some more black stretches of volcanic rock and come into Orzola, a fishing village at the north end of the island. The main street is called Calle la Quemadila, where we park our car. Many rows of white rectangle houses, some trimmed with royal blue, stand along the street. Mysterious Canarian women with chestnut hair blowing in the salty wind, their hard-luck brothers pressing seafood menus into hands. The cafes are full of locals, fishermen with white curly hair and thick brown fingers smoking pipes and lazing aimlessly in the sun.

I feel so comfortable here, on an island. I grew up on an island, and when I am in Estonia, I hear from the people of Hiiumaa Island and Saaremaa Island that they feel the same. We need the sea around, a coast, a line where things begin and end. Who could really settle for a river or a hill with a castle on top? To live inland will drive any real islander mad. To stare out at the sea, to look out on all that endless blue, that blends into the sky, blends into more blue gives one a feeling of solitude that is awesome, infinite, and terrifying. It swallows all, just like time.

By the harbor, I see there is an apartment for rent. “Do you like it here?” I ask my daughter, her yellow hair tossed about by the ocean winds. “Yes, I do,” she says. “It’s so warm here, and in Estonia it’s still so cold. Estonia is like, well, like a cold land.” A bead of sweat leaves her forehead and runs down her cheek. It looks like a tear. We could just take that room for rent, get a plate of fried fish, I think. Later go back the hotel to pick up our things. There’s nothing to lose. There’s nowhere to run to, as Martha and the Vandellas once sang, nowhere to hide.

Se Alquila.

We could just stay here now if we really wanted to.

Written in March 2016, revised April 2024

rotermanni sketch

I ARRIVED TO TALLINN and was again surprised (pleasantly) by the way the port area has developed. It looks like a real city. When I came here the first time in ’02, none of this was here. Now Rotermanni kvartal is as bourgeois as it gets. Why not shop for a new suit while listening to gurgling electronic music and sipping on a smoothie, or noshing on some fresh sourdough bread from RØST while imbibing a warm cappuccino with coconut milk? Everyone in the window advertisements is lean, beautiful, effortlessly wealthy, and has lots of sex, most likely in fine hotels or in the back of sports cars. If that’s not what life is about, then what is?

But despite all the trimmings of the nordic nouveau riche, one cannot escape the cold sea wind or the gray sky. Sometimes the sun does come out though. It is odd that we are supposedly considered under threat from the Russian Federation, as if they were going to lob missiles into the nearby H&M. You would like to think that all of these things would protect you, but they don’t. It did make me think though what an angry, regressive energy is Putinism. How could anyone long for a day when half of Europe was under surveillance and home arrest? Age is a factor. He’s a post-1989 headcase and never really adjusted. He wants it back.

And the reason I am bringing this up is that so much has changed in Tallinn, and in Estonia, since that time that the country is due a narrative revision. A rewriting of the story. The Soviet period is slipping away into the past. It’s like watching those last pieces of the Titanic slip into the ocean. How can you define the story of a country by referencing something that doesn’t seem to matter that much anymore? This place is Hanseatic materialism redux. I continuously feel like I am in a mini-Stockholm or some other such northerly place where men in glasses who part their hair on the side sit around doing business deals with a stiff upper lip while wearing scarves inside, and weary eyed women walk their small dogs in the morning, bearing a cup of coffee before them as if it was a flashlight or rosary beads and looking as if they don’t have time for anyone or anything and whatever you have to say to them, they really don’t care.

the trumpet player from barcelona

AT THE START OF MARCH, our cat Kurru started behaving strangely. Kurru is a striped female cat, aged about 17 years. She’s thinned out in her elderhood and doesn’t eat with the same enthusiasm she once had, but she is still quite active, when she’s not sleeping the day away on the kitchen table. From time to time, I’d find her staring out the window. The winter was ferocious and long, but with the warmer weather, she’d become less intimidated by the idea of going outside.

She would usually sleep through the night, but when March began, she became more active in the early mornings. At about six, she would start to make odd noises that are difficult to transcribe. Let’s just say that all of Estonian’s lovely vowels were represented, such as ä, ö, ü, and õ. “Äöüõ! Äöüõ!” This wasn’t your usual “meow.” It was different. Naturally, it got on my nerves and I would have preferred to slumber on in silence beneath my warm blanket. A few times I shouted at her to be quiet, and even threw a pillow at her. The cat Kurru then ran to the other window and continued with her cat’s lament. Then one morning I looked out the window and saw who she was talking to. There was a beautiful black male cat there, who was saying the same things to her in that same strange voice.

Our cat isn’t of child-, or kitten-, bearing age anymore. I think. She’s an old lady. Seventeen! This would be as if Meryl Streep or Helen Mirren got pregnant. Maybe it’s still possible, but it just doesn’t happen every day. But this reality doesn’t seem to make a difference to the other cats. Someone in the cat community has apparently spread the news that in this apartment — our apartment — lives a female cat. And so those male cats arrive at six in the morning and line up beneath our Kurru’s window. I can hear their agony through the glass. Cats apparently can’t masturbate. Or can they?

I don’t really want to know, but anyway, our cat has had to live with this constant torment, that the neighbor boys just won’t give up. Sometimes I think she even enjoys this little mating season drama. She is more waiting for it than fearing it. Sometimes the black cat is beneath the window, but other times there is a fat orange cat with a flat face that looks like Boris Yeltsin. These cavaliers are waiting, steadfast. They want Kurru to come away with them. They don’t seem to be ready to give up any time soon.

How come they never give up?

***

But enough about cats! I actually wanted to talk about music today and Barcelona. And not just about music, but about a certain musician. At the edge of our town dwells a certain family of considerable means, they are nouveau riche — as far as I know they lack an aristocratic pedigree — but they have learned to live like the old rich live, to sleep in the best hotels, to drink the best wines, to appreciate fine art, travel, and the good life. Some time ago, these travels brought the mother and daughter of the family to Barcelona, where they stayed in an exclusive hotel suite. From the windows, one could look out on all that Barcelona had to offer.

The mother of the family is a little older than me, a mature, beautiful and intelligent woman, who wears wonderful clothes. Her daughter is about 20 and is studying international affairs in Geneva. She has blond hair and has a good sense of humor. She’s also quite playful and likes to make jokes, like a puppy, I guess. It’s always fun to pal around with her. For me though she has always just been my friend’s youngest daughter. She has never been anything more.

This is an important fact, because one night she met a man who is about the same age as me. A little younger, but not much. This happened when they decided to visit a Barcelona jazz club called “Tony’s Swing Club.” In the band, there was an American who sang and played the trumpet. I don’t know where he really was from, but I like to think he came from New Orleans.

“I’m sorry,” my friend’s daughter said some time ago when she told me about him, “but that trumpet player looked a lot younger than you.” “Does he have three daughters,” I asked in response. “No, he has no children,” she answered and added, “and he’s never been married either.”

“Well, that’s why he looks so young,” I said. “Give him three daughters and a rough divorce and let’s see how young he looks.” “Yes, it’s hard to say what he’s done in his life,” the young lady agreed. “Apparently he’s just been playing the trumpet.”

He definitely played the trumpet and quite well. So well that my friend, the young lady’s mother, invited him to their hotel for a private concert. And that almost 40-year-old musician from New Orleans went along, of course. I don’t know what he looks like, but I imagine something like Harry Connick, Jr. At the hotel, he serenaded them. Maybe he performed something from the Louis Armstrong songbook. “And I say to myself, what a wonderful world …” The woman and her daughter sat and watched and listened. When the concert was over, they applauded.

Later they all drank some good Spanish red wine.

“I thought that musician was interested in me,” the mother of the family acknowledged to me later. She really is an attractive woman and charismatic, and these kinds of women are known to often drive men crazy. “But then I understood that he was actually in love with my daughter.”

I don’t know if this revelation disappointed her. The woman will soon turn 50. The daughter is in her early twenties. But, to borrow a line from the American President John F. Kennedy, “the torch was passed to a new generation, a generation born in this century.” Unfortunately, the musician’s young muse wasn’t interested in him. The trumpet player was sad about it, but he still didn’t give up.

***

Quite the opposite. A few weeks later he arrived to Estonia. Officially, he was here to attend a music festival, but he really came for the young lady. I have a hard time understanding just what exactly he was after. Love? That this young lady — half girl, half woman — would respond to his interests? But what would become of the young lady’s career in international affairs? Or did he want to marry her? Or maybe just to steal a kiss?

Here, I admit that I’ve had similar experiences. Because of that, I can tell you that he had no idea what he wanted. Sometimes a woman’s spirit gets so deep inside of you, it’s hard to exist without it. It takes over your whole body and soul. It’s even hard to breathe. It’s hard to think. It’s hard to be. It makes men do stupid things, not on purpose, but because if they don’t buy those plane tickets or send that love letter, they will go insane or explode. It’s such a big ball of energy, like crashing waves on a stormy ocean.

The waves will flow, whether you like it or not. The only question is how to navigate them.

This time, when my friend’s daughter’s musical suitor appeared in Estonia, she was quite direct with him. She told him all kinds of nasty things and then blocked him on every channel.

“I told him that I was sad that he was so old and had accomplished so little in his life,” the young lady told me. “I didn’t mean it, of course. I just wanted him to leave me alone.”

With a broken heart, the trumpet player dragged himself back to Barcelona. Maybe he even cried, as I have cried. Maybe he wrote to her, as I have written to women. Maybe he even lied to himself, as I have lied to myself.

“She was too young.” “She wasn’t the right one.” “Who wants to be with a woman who is still in college?” the trumpet player lied to himself. He went back to his jazz club, met some Spanish woman named Maria, got drunk and wound up in bed with her. But all through the night he spent with Maria, he was haunted by a tiny Estonian plika.

It’s not so easy to free yourself from a woman’s spirit.

In the morning, he grabbed his smartphone and tapped out some sentences to her and pressed send.

“Does he still write to you?” I asked the young lady recently. “No,” she answered but then whispered, “actually, he does, but I don’t respond. But, yes, he still writes.”

“See,” I said. “Some people just don’t give up.”

***

There are a lot of stories like this and I hear them all the time. Most women are tired of these characters. A real man should be like a Cleveron robot who goes where you want him to go and then says something when you press a button. When you say, ‘Don’t write to me,’ he won’t write because he’s a good robot.

But some still write. And not just men. Women too. This has become my strange hobby. I ask friends if their suitors are still writing them, or if they have given up. I am trying to understand their psychology and my own. I have a friend who left her partner long ago because he was smoking too much pot. She blocked him everywhere and told him she never wanted to see him again. The reasons for the split were clear. But the man kept on calling, until his number was blocked too. “I don’t understand what his problem is,” the woman said. “Do I really have to spend my whole life with my ex-boyfriend haunting me?” That guy just won’t give up though. He is stuck inside a prison he built for himself, where his thoughts spin round in circles. With all channels blocked, maybe he might send a message by carrier pigeon?

“Sometimes it seems to me that when a woman falls in love, it’s nice, but when a man falls in love, it can be catastrophic,” a famous Estonian singer once told me, who is considered to be something of a love expert.

One of my male friends though said that it’s programmed into the culture. “Women play hard to get. Are they flirting or not? In films we often see how the main characters hate each other at first but become lovers in the end.” This happens in many old and new movies, he noted.

“What else do people have left, when they can’t even believe in love?” asked another friend rhetorically, who has become a well-known actress. “People like to believe that they know what’s best for them. And if this good thing is this girl who tells you no all the time, they still believe that she will say yes in the end. That she will finally see the same things that you see, and that a happy ending still awaits.

“For me, the most interesting thing is that we still think we know what’s best for us,” the actress went on. “I certainly don’t think that I know what’s best for me. Life knows best. And if life doesn’t offer me that boy I want, then naturally he’s not the right one for me. That’s why I don’t pursue people in such a way.”

According to this actress, some people just don’t listen to life, but she acknowledged the game of love can be confusing. “Especially when all women supposedly want you to compete for their hearts,” she said. “Then you have to figure out if you should still compete for her love or just leave her alone.”

***

I don’t know what became of that trumpet player from Barcelona. It’s possible that he’s still performing in the same club. Or maybe he’s moved on, to Madrid or Paris. Maybe his heart was so broken that he moved back home to New Orleans. Maybe he met a nice person along the way and they’re now married and expecting a daughter. Maybe he doesn’t look so young anymore. If he still thinks of that Estonian girl, maybe she has inspired him to play the blues only better. Maybe his solos are more emotive now, more intense, richer and deeper. Maybe when he sings, his voice cracks as if he’s about to cry. Maybe it was necessary for him to get his heart broken, so that he would get to the next level.

In this way, pain can be a blessing. As I have found with my own pain. I could of course write about the person who broke my heart. I could write about her until the end of my days. Novels, short stories, and poems. Some part of this experience won’t ever leave me, no. Part of my heart just won’t give up on her.

I find myself still thinking of her, especially in those early mornings at first light, when the cat goes to the window to give her cat’s concert. Our sturdy, mature feline awaits her suitors on the other side of the glass. It’s terrifying sure, but also a little thrilling.

And there she sits. She sits and she waits and she never gives up.

An Estonian-language version of this piece recently appeared in Edasi.

the end of the approach

FIRST ABOVE GERMANY. Fluffy foamy carpets, white, and between them rolling hills or knolls, nubs, crests, with little motherboard looking settlements below, and lines of wind turbines churning. The mind ping-pongs, skirting memories, realities. The clouds turn to a frosty desert, layered upon other deserts. You think of her dreamy eyes that can give you a thousand blisses. You think of other people and then you think of yourself, a change in focus.

Below is nothing, not a road, not a corner, not a coast, or a line of white trees. The sea seems endless. The clouds absorb the orange and pink from that slowly-slipping January sunset. There is an almost fascinating rainbow glow. Then rolls of milk white that crest like sugary whipped cream. The clouds suddenly look gray and somehow cold. They are lower here, lying in a sort of cloud valley beyond. Big gray hunks of gray coldness drifting, almost like that shattered ice in the Gulf of Finland. No signs of civilization, no planes, no tiny houses, no little glowing lights below. It feels as if we are getting closer to the North Pole. Maybe we passed it?

Then, for a while, nothing, just purple. White clouds spin beyond. They look like French crullers. They are arranged, moving in gentle circles, like gears. Bigger clouds drift in, chunky and heavy, like fists. The longest descent ever. The clouds are so low here that they drift around the tops of houses. The color is almost navy blue fading into gray, an almost depthless bleak fog. The houses are faint and gold, like fire embers. By the time we finally dip below the cloud cover, I can read the signs on the buildings. I can see the icy lunar surface of the lake.

This is the end of the approach.

the uncle frank story

Every Uncle Frank has his own Uncle Frank.

I THINK EVERY ITALIAN FAMILY has at least one good Uncle Frank story. This is for the simple reason that there are so many Uncle Franks. Frank, or Francesco, continues to be one of the most popular Italian names, and even in the 2020s, it ranks second only behind Leonardo among newborn Italians.

My grandfather’s name was Frank, and so to all of his nieces and nephews, the children of the famous Uncle Vinny, he was their Uncle Frank. My mother’s brother is also called Frank. Believe me, we have a lot of Uncle Frank stories concerning this particular Uncle Frank. The funny thing is that all of those Uncle Franks also had their own Uncle Franks. It’s like looking through a kaleidoscope or prism; you point it at one Uncle Frank and then suddenly there are hundreds of them reflected in tiny pixels, a fantastic mosaic of Franks for the eyes.

This is not to be confused with Cousin Frank. Cousin Franks, sometimes nicknamed Frankie, are a different phenomenon. Thanks to Italian naming traditions, I have at least two Cousin Frankies that I know of, and there may be more. Years ago, when I briefly toyed with the idea of compiling a family biography, I began collecting stories. I knew that I had a Cousin Frankie who was in a rock band. Because of his dark and mysterious looks, he had at least for some time been nicknamed Cochise, after the Apache Indian guerrilla.

There was another cousin that I had heard of, however, who had ventured to the South Pole. And then there was a cousin who was running a pizza restaurant out in the Rocky Mountains in Colorado. The book project was going well, and I imagined all of these as three separate profile pieces. The rock musician, the Polar explorer, the pizza guy. After some investigation, however, it turned out that all of these cousins were the same person, Frankie Abbatecola, one of Uncle Vinny’s legions of grandchildren. Had I written the book, most of it would have been about the same person. This energetic Cousin Frankie is a Mötley Crüe devotee not much older than me, who slings pizza dough during the day, wakes up the neighbors with his electric at night and yes, even once made it to Antarctica, or at least some place where there happened to be lots of penguins. Today, Frankie runs a busy, buzzing pizza restaurant in Massachusetts called “I Love Frankies.”

Whenever anyone questions my Italian identity, I just tell them about I Love Frankies.

“That’s my Cousin Frankie’s place,” I say. They seem satisfied by this information.

***

BUT THIS STORY is not about Cousin Frankie. This story is about Uncle Frank, and a certain Uncle Frank who happened to be the older brother of my grandfather Jerry’s mother Rosaria. I suppose to me, he would be a great great uncle, the sibling of my great grandmother Rose. His real name was Francesco Petrellis, and he was born on that mountain top in Calabria in the village of San Giorgio Albanese overlooking the Ionian Sea, the same place I spent the night watching Godzilla dubbed into Italian. His birth year was 1889. It was a long time ago. At that time, America had not even yet formed itself on the lips of my predecessors. It’s interesting to imagine that if I rewound the clock back a century, most of my family was not even speaking English to each other. They were Italians, born and bred into the soil.

Uncle Frank emigrated to the United States with his family in 1900. It seems his father, whose name was Carmine, and who came from an old Greek family in San Giorgio Albanese, had already crossed the mighty Atlantic before, but this time decided to make the move with his whole family. There was Francesco, Rosaria, Maria Theresa, and their youngest sister Rosina.

It’s hard for me to imagine what the lives of this immigrant family was like because Carmine, the father, was illiterate, and when they later purchased a house in the town of Huntington on Long Island in the 1920s, where I was born decades later, it was Carmine’s much younger wife, Anna, who signed the contract, because her husband didn’t even know how to write. By that time, they had come to call themselves Peters, instead of Petrellis, to make their American life more manageable. This was a fundamental aspect of American identity. Even if you were not born in America, and obviously were not an American, you could give yourself an American name. Petrellis became Peters. For some of the Abbatecolas, their unwieldy name was shortened to Abbott to make it easier for bank tellers and telemarketers. It was a cosmetic change though. You can change your name, but that doesn’t change who you really are.

As such, the newly minted American “Frank Peters,” known to anyone within his circle of family and friends still as “Francesco Petrellis” was a loyal citizen of the United States to whoever wanted to know, but spoke Italian as a native tongue. He married, perchance, a Hungarian immigrant named Ethel, who was from a village called Nyírbátor near the Romanian border. I know much of this information because in 1920, she applied for a passport to visit Czechoslovakia. What I find fascinating about this is that she had never had a passport before then. In the early 1900s you could sail from country to country and settle with no documentation.

It seems that Uncle Frank and my grandfather Jerry had something of a rapport. Perhaps because Jerry did not get on so well with his own father, Salvatore, which was understandable considering that he had once left him bound in a basement cellar. According to my grandmother Margaret, they would go and visit Uncle Frank and share some coffee together.

Jerry had met my grandmother Margaret, who was not Italian, while working for a construction company in Virginia. They were introduced by friends and married impulsively after knowing each other for just a few weeks. Margaret at that time was working as a school teacher. Her grandfather was a German architect, but most of her ancestors were British settlers who had crossed the sea centuries before the Italians. One can only imagine this young Virginian school teacher being introduced to the enigmatic Uncle Frank, with his fedora hat and thick Italian accent, and his equally mysterious Hungarian wife Ethel. He told the government whenever they asked him that he did odd jobs for a living. But according to various family members, Uncle Frank really made his living as a chauffeur for underworld figures. My father claims it was to Vito Genovese himself, “Don Vitone,” the founder of the Genovese crime syndicate who dominated the American mafia for most of the 20th century. Others claim that he drove around another mobster called Capone.

Whether true or not, Uncle Frank was well paid for whatever kind of work he was doing in his career of odd jobs. One day in early 1965, when he was already an old man, Uncle Frank paid his nephew Jerry a visit and gave him a $500 bill. This banknote, which is no longer in circulation, featured President William McKinley on the front. My uncle still recalls the scene of the old man in his fedora sitting in the family kitchen and handing his nephew the money. But Uncle Frank actually visited all of his relatives and similarly gave each one of them a $500 bill. This became the Uncle Frank Story, the old relative who showed up, handing out $500 left and right. He then departed the United States, ceased being Frank Peters, and resumed being Francesco Petrellis and died several months later in San Giorgio Albanese, his home village. After he died, my grandfather Jerry went over to his uncle’s house. Frank’s wife had died the previous year and the house was empty. To his surprise, he discovered bags of money, hidden in various places. There were several purses full of banknotes that had been stuffed in the oven.

***

WHEN I RETURNED to New York after my adventure in Southern Italy I showed the photos of San Giorgio Albanese to my Virginian grandmother, who was 91 years old then, and still quite lucid, though slowly fading mentally. Grandma was in every way of a different breed than my grandfather. Her body was trim and lean, and she had her own kind of measured or balanced energy that she carried with her. Like most women in my family who had lived to an advanced age, she seemed almost preternaturally perceptive, and could listen and understand many things, without revealing any of her thoughts or opinions. It was all there, hidden behind the eyes.

This same Virginia school teacher had fallen in with some Calabrian construction worker in the South. To a woman like her, he must have been dark and exotic, and, well, it must have been a passionate relationship. You just don’t marry someone after two weeks if it isn’t a scorcher. Often when I think of this story now, I consider how I got married in more or less the same way. There is a wild streak in the family, but it’s hard to pinpoint its origin. Surely, some of it is rooted in the rugged mountains of Calabria. Yet maybe some of it comes from the swamps of Virginia.

At my parents’ house that Christmas, everyone had gathered around to see the images from my great Italian adventure, and my mother’s brother Frank even thanked me for at last re-establishing contact with our Italian cousins. “It was good of you to do that,” he said. My father’s mother had looked at the photos with some interest, but said little. Once she went back to her home, where she lived a solitary life watching CNN, listening to the radio, and playing her piano, she somehow discovered an old photo that had once been sent to Jerry from a relative.

The photo showed a man in a coffin, covered with bouquets of flowers. The photo read, in Italian, “On the 9th day of June 1965, in San Giorgio, died Petrellis Francesco.” The photo had been taken by A. Triolo, also of San Giorgio, and the photo was signed by Cosmo Petrellis.

This family curiosity had traveled across the Atlantic and across decades of forgotten memories, only to find its way into my hands, hands that had recently returned to that same village. In thinking about Uncle Frank with his fedora hat and bags full of mob money, I felt that I had understood something that perhaps only another Italian could understand. That whoever we were, and wherever we lived, and whatever names we called ourselves, we were still this illusory thing. Italians were just another unexplained meteorological phenomenon, like those tall waterspout tornadoes rising up like the mighty staff of Poseidon from the depths of the Ionian Sea. We came and we left, we appeared, vanished, and reappeared. One day, we might show up at your door in a crisp gray suit and fedora with a bag full of $500 bank notes. The next day we were gone. And weeks later, we might turn up in the old village, to greet our many relatives.

Just as I had done weeks before in San Giorgio.

Uncle Frank was Frank Peters to the US government and Francesco Petrellis to the Italian one. His odd jobs were driving bigshot mobsters around. But Italians belonged to other kinds of systems. Governments didn’t mean as much as family. The mafia was just another kind of human organization, as legitimate or illegitimate as the local police. Laws were distant, arbitrary, written by strangers. Politics, like in the mafia, was personal, dangerous, and corrupt.

And time, as I have said, was just imaginary. Everybody knew that it didn’t really exist.

from helsinki with maito

MORNING ON the Viking Line, Helsinki bound, the special Circle K discount line. It is good to be away from smalltown Estonia and all of the same smalltown faces, the faces that know you, or think they know you, the faces you think you know but do not know. You know what I mean.

Last night was spent in the company of Finnish tourists. They took over the sauna. Some of them looked like my children’s uncles, Priit and Aap. What is this parallel universe of Estonian lookalikes called Finland? What is this strange “speaking in tongues” language? In Estonia, sauna steam is called leili, but in Finland, it’s löyly. Try saying that word three times fast.

The Finns are so white and pale. Milk white. Maito white. I am always just a little pink. At least a little. The Finns need to supplement with iron and B vitamins. They are aloof, but pleasantly aloof. The men do not flatter the women. They are not Italian men, who blow kisses from passing scooters. The Finns are not lovers. This explains a lot. This may explain my entire life.

My soul is kind of foggy, udune, as the Estonians say, but my libido is strangely intact. It waxes and wanes with the moon. It is currently at full, full moon peak. It’s nice to sit in Stockmann though, just like this now. It’s nice to be anonymous. I like watching Finnish people. I like watching Finnish women. I wonder, which kinds of women do I like? I don’t like the women who wear a lot of cosmetics and have intricate manicures. They probably expect lots of money, and round-the-clock maintenance. This is my prejudice. That’s just how I see them.

I do like the women who seem a little shy, or to exist in their own worlds. There was a nice Finnish woman selling baked goods in Kamppi. She was wearing an apron and dressed in white, and was pleasant and round. And she had that beautiful white-blonde hair. There is something about hair like that. I also like the women who look a little strange, or even dangerous. I like the women who make unusual fashion statements, or look like they are members of a) some religious sect; b) obsessed with a musical group; c) forming a revolutionary cell. These women tend to be younger. When you are young, you can be bold.

At least they look interesting.

But then I have intrusive toxic thoughts. So intrusive and toxic as I sip my juice at Joe and the Juice. I don’t have enough money, I am going to be 44 soon. I have three children and have been classed out of the reproductive cycle. But I have actually written almost three books in the past few years. Doesn’t creativity count for anything? Or is it all about the money? These little thoughts are like like Stockmann shoppers. They elbow their way in, but they didn’t originate with me. Who put these intrusive thoughts in my head? Was it you? Or you?

Better to think of nice Finnish women selling baked goods. Something else. Something nice and cozy, or mõnus and hubane, as the Estonians say. The bookstore here is amazing, Akademiska. Bookshops will never be replaced by online. No way. There is just no way to replicate this sensation of drifting along, being drawn in by some book or its cover art, or title, or, “Hey, that’s Murakami!” I try to write like Murakami. I try to do a chapter a day. To punch in and punch out. I am not just satisfied with some ideas and a few paragraphs. But I am a father. I am running and I don’t always have the juice to do it.

It’s funny, I thought that if I came to Helsinki, I would be inspired. But I already know Helsinki intimately. I know what this city feels like. It’s in my bones. Turning 44 is somehow bothering me. It feels like the point of no return. Forty sounded kind of youthful. And these last four years just blew by. Gone. Around the corner from here is a bakery. I even once wrote a story about it, because one morning I was here, and I thought I saw Dulcinea working at the bakery. Yes, Dulcinea. I suppose she does look like a Finnish girl. I don’t have many love stories you know. Just a few. Sometimes, I would like to excise them. Sometimes, like with you, I buried them, and I can’t remember where I put them. Oh, I have tried to alter history. I have gone to psychologists, psychiatrists, healers, witches, tarot card readers, Hindu shrines, Orthodox retreats. Most people just tell me, as common knowledge, to leave the past in the past.

Things do fade but other things, and other people, they don’t always go fully away. Not 100%. They are just part of the scenery, the furniture. They are a room in the house of you.

I do want to get a new book before I go though. Some crime novel by a Harlem writer. I like crime fiction, it helps me with everything else, with structure, with pacing, with dialogue. I went to go buy it, but then the bookstore was closed. A milky white security guard with a beard said it was closed, kinni. The book was Cotton Comes to Harlem by Chester Hines.

After that, I went back to Stockmann and got another exorbitantly priced sandwich. Which is basically what an Estonian sandwich now costs. I watched the bourgeois Finnish couples coming and going, smelling of perfumes and colognes. Why was I not able to play that role in life? Who am I even writing to? And how come, no matter how much I write, nobody answers me? I feel like I am writing to a dead person. Maybe I am writing to Vahur Afanasjev. I remember that day, when I saw the headline about his death. Now I have become accustomed to disappearing acts, including by the living. Because when a friend leaves your life, alive or dead, it feels the same way, like a little death of sorts. I can’t say I am surprised by it anymore.

I can’t say that I am surprised.

stuck in glasgow

“I WAS STUCK IN GLASGOW once for 10 days. Really stuck in Glasgow. It was a weird situation. I had just joined the company. It was 2005. Actually, I was a young guy. I was still just 25 years old. I was with my wife and we had a baby. I was supposed to go to this tech conference in Europe, and they had canceled the conference at the last minute, but they didn’t tell anybody who had signed up for it that it was canceled. So, I had the plane tickets, and I was there, but there was no conference. So what did I do? I saw there was another conference Glasgow and I said, ‘I’m going to Glasgow.’ I was in Scotland already. I thought I might as well go to that conference, but it was 10 days in the future from that moment. So I was just hanging out in Glasgow for 10 days, but I got a very good taste for the city. At first, I hated Glasgow. Because I was coming from Edinburgh and I was expecting this sort of fairy tale castle magic and we rolled into the grim Glasgow bus station. But it really started to grow on me over time. The architecture. The weird, orange sunlight. Just this vibe. I can’t explain it. I started to really love it, especially on a Friday night, when Glasgow was like a war zone. There were fights and people getting sick and sleeping in the park. I can’t deny that it left a strong impression on me. Whenever I meet someone from Glasgow, I always think, what it was like to grow up in such a place. You know?”