THE SCHOOL was constructed in the Colonial Revival style sometime at the tail-end of the 1930s, financed by a local tycoon. It featured four large white columns, and incorporated elements of Federal and Georgian architecture. At its founding, it served as a public school for local students in Sowassetville and adjacent communities, from kindergarten through 12th grade, but eventually, as the population grew, it was developed into a middle school in the 1960s. I hadn’t been there in years, but when I was invited back, along with other members of the ninth grade class of 1995, I decided to return, to see if it could inspire any memories.
To my surprise, the interior of the school had been completely redone, and a large stone-surfaced park had been installed, along with a bronze memorial to the Estonian War of Independence (1918-1920). A solemn soldier stood at its precipice, holding a sword up into the air. His head was decorated with a wreath. In the front of the school, there was a new staircase leading to a second level. From this level, one could take a glass-enclosed corridor into a new extension of the school. It was like something from an aquarium. “I don’t remember any of this,” I told an old classmate, who was clutching unreturned library books, such as The Great Gatsby. “None of this was here when we were. It’s like the entire school has been changed.”
I went down a back staircase into a cafeteria. But only more confusion ensued. It was like a big billowing cloud of confusion. I was reminded of a New Order song by the same name. Because Raivo, my faithful translator, was seated at one of the booths in the cafeteria. He was there in a button-down shirt in one of the booths, digging through a Caesar salad. Raivo said that we had to get a translated version of one my short stories to the editors as soon as possible. I still was baffled to see him there. And then when I turned my head, I noticed that the lovely Atlacamani, the mysterious Azteca goddess of storms, was also seated in the cafeteria. She was wearing a red shirt and blue pants and was seated with musicians from the Viljandi Cultural Academy.
They were all eating fries.
El Scorcho, a Chilean folk singer with a slight mustache who lives and thrives in V Town, arrived with a tray full of food and drink. His guitar was slung across his back. He was wearing one of those gray ponchos they wear down in the Andes. He said, “You look so funny. You should see your face.” I said, “What’s going on? What are you all doing here?” El Scorcho just smiled. “A lot has changed since you went to junior high school,” he said. “Todo es diferente.”