red

IN THOSE OLD STORIES of postwar golden age New York, much of the intelligentsia was same-sex oriented, and it was not unknown for up-and-coming writers to submit to the advances of a powerful editor or director, so long as they got published or got the part. This was not playing out in my mind as I was invited to spend the night at Nelson’s house uptown, but it became evident that evening when, after showing me to my room, the friendly publisher decided to invite himself into bed with me. “Aha,” he said, “Now we can get down to business.” The sensation of a sinewy male monkey body brought on states of revulsion, gloom, despair.

I ran away, naturally. In my pajamas. Can you imagine me, fleeing like that on West 81st Street?

I wandered for some time like that, through the city. I wandered through other cities. I admired the commotion, the jackhammers, the cranes. Glass doors that sensed your presence and opened before you. Sandy depressions that were becoming parking garages. Eventually I fell in love again, this time with my friend’s wife, who had long sumptuous red hair. It was a lion’s mane of crimson. You should have seen how it spread across the white linen sheets, how the red of her hair flowed into the texture of a red blanket. She was a 1930s pre-Code Venus.

But I could never tell her I loved her. I could only say something like, “My favorite color is red.”

“My favorite color is red.” It wasn’t really. But I would whisper it in her ear, beneath her thick hair, at any number of dull dinner parties in Tallinn’s Old Town, while her husband was getting a refilled martini or gin and tonic. He worked at SEB and liked to talk about mortgages and interest rates. She was neurotic and dangerous enough to keep me interested. I was hooked.

One day we were driving away from a boutique hotel. Miss Red was at the wheel. It was a cool, autumn day, the leaves were turning orange and purple. A group of kindergartners began crossing the street, but she was so tormented by the fact that she had again betrayed her husband, that she almost ran the kids over. Before she mowed down the children, I grabbed the wheel, took control of the vehicle, pressed on her leg to slow the car. I reached out of the window, waved a frightened boy across the street. The little boy gave a stunned and shocked look. He was wearing a sweater and bowtie. The boy’s look said it all. “The adults are maniacs.”

ticket

IT WASN’T THAT I didn’t have a ticket. It was that I had the wrong ticket, or a ticket that had been purchased for a different journey. It was a ticket north. But I was lost somewhere in the city. This is how I found myself a scofflaw in the Stockholm T-bana, the underground metro, hiding out from the dreaded Storstockholms Lokaltrafik inspectors, in their blue uniforms. On the run from the law, on the lam so to speak. I hid out in a cave in the metro that was inhabited by other scofflaws and dissident thinkers. Difficult characters who had never purchased a metro ticket in their lives. But a matronly inspector found me and dragged me out by my feet.

“You have to pay the fine!” she said. “But I had a ticket,” I yelped. “It was just the wrong ticket.”

The wrong ticket. During the dragging, one of my upper teeth came loose. I could see it fall out and plink on the train platform, like a 5 kronor coin. I retrieved my tooth, tried to fit it back into place, and slipped past the SL ticket inspector to make an escape. But the tooth was still crooked. It would never settle on its own, it would never look like a legitimate tooth.

I had to find a Swedish dentist, one who could properly reinstall it, as it were. I found one in Södermalm, a pleasant, middle-aged blonde dentist in a pastel blue shirt, who said she could do it and it would be subsidized by the state. It would all be covered by the Allmänt tandvårdsbidrag. But first I would have to take off my clothes. “Is that because you don’t want to soil my clothes with spurting blood?” I asked. “No,” said the dentist. “Now, strip for me!”

I’m not sure where those hands of hers went during the dental surgery. Maybe I enjoyed it? Not long after that, I arrived back in Tallinn. I was walking up Niguliste Street on a cool summer evening. The Green House Cafe had opened up a new location there, and the windows were all open. Inside, the bustle of a warm kitchen, shadowy figures in aprons carried trays, the metallic clanging of the espresso machine. Ingredients were arrayed along the window, including a bowl of sweet almonds soaking in warm milk, likely destined for a pastry.

“Oh, it’s so nice to have all your teeth,” I said to myself. I took a sweet almond from the milk bowl. It dissolved on my tongue. When I looked up again, Mai was there. She was wearing her apron and peering at me with those huge eyes of hers. She climbed through the cafe window and soon we were kissing below the church. It felt good to feel the loving heft of Mai in her black shirt. “Are you really sure you want to do this?” I asked her. Mai looked back at me with that colorful baker’s hat on her head and said, “But I’m crawling on top of you. Of course I do.”

drummer

I HAD BEEN SEEING Mai for a few weeks when she abruptly left me for a drummer. And not just any drummer, but Giorgio Marrakesh, the rhythm provider for one of New York’s most enduring indie rock ensembles. Mai was my kind of woman: a few years older, self-accomplished, intoxicatingly neurotic, a spicy summer cocktail of the dangerous and ridiculous, well shaken. She had her own TV show, which was called The Mai Show. She would emerge onto the stage of The Mai Show in her lovely pink tablecloth-looking dress as spellbound fans from everywhere applauded furiously. She would spin and settle onto one hip.

We had met at the Strand Bookstore downtown on a Wednesday afternoon. I had been paging through reproductions of 17th-century Swedish imperial maps; she had been reading a feature article about herself from 1994. She had just finished filming the day’s episode. She was sipping from a coffee cup. She wore those big glasses that famous people wear, to both draw attention to themselves and to avoid being seen. But those pink lips gave her away. It was all going swimmingly and summerly until Giorgio re-entered the picture. She went back to him at once. “He’s a drummer,” she said and shrugged. She related the end in a careless and wonderful way.

A drummer. Drummers sat in the back, surveying all before them. Drummers were steady, reliable. Drummers kept the beat. Drummers had their own philosophy. “But he’s just a drummer,” I wrote Mai. I sent telegrams to her apartment every hour on the hour, relayed by real messenger boys. “He’s just a drummer,” I continued. “He knows about cymbals, he knows about snares and tom-toms, he knows if it’s 4/4 or 6/8. Would a drummer write you a haiku?”

He’s just a drummer / Always playing with his sticks / Can’t write a haiku

A drummer, she was with a drummer, not a writer. But what is a writer? A writer is always writing. A writer is found in bookstores. A writer runs his fingers along old paperbacks by Salinger and Vonnegut, wishing he had written them, but secretly feeling superior to both.

“But can a writer also be worthy of your love?” I penned Mai. She read the letter while she was lounging around in her loft apartment, eating macaroni and cheese and talking to her agent. She never wrote back.

beds

THESE WERE planter beds and they were also single beds. Each measured 90 by 200 centimeters. The frames were made of white wood. They were arranged head to foot in a row, like sarcophagi in an ancient Egyptian tomb. Indeed, the room could have been discovered in the Valley of the Kings. All was dark, an impenetrable blackness that seemed painted on.

But it was night, and we were tired. We had missed the afternoon ship from Kasepää and we had no place else to stay. The beds were at a friend’s house. He had turned these single beds into small, productive gardens. Green plants sprouted from the rich, black soil. If you pulled back the earth, though, like a blanket, a perfectly fine bed could be discovered within. Crisp, linen sheets. Two fluffy pillows. All you had to do is pull back the topsoil and slide right in.

My friend Madis had experience with such beds. He was already tucked in, wearing one of those old-fashioned nightcaps. It was green, with a dangling pom-pom. He looked like Ebenezer Scrooge in A Christmas Carol, only a younger, sleepier, happier one. When I climbed into my planter bed, some of the plants fell onto the floor. The floor was as black as the room around it. “Don’t worry about that,” said Madis, yawning from his planter box bed. “I don’t think our old friend Holbrooke cares so much about the soil or plants. Let’s all just get some sleep.”

house

I WAS INVITED to her house. Or was I? Either way, I went there, out of curiosity, out of instinct. I assumed her husband was away. Would she have invited me over if he was there? What would that have been like, some conversation, tea, and potato salad? Maybe I had it all wrong. Maybe this had all taken place in my mind. Maybe there had never been an invitation.

It was an old wooden house, situated at the top of a hill. Shadowy, sheathed in long planks of dark wood. Built at the turn of the last century. The interior stairwell was also shady and dusty, but cool and not unpleasant. This is where she had been living. This was her zone. She came up and down these stairs every day now, and her children trailed her, or she went running after them. Sometimes her husband’s heavy, plodding strides could be heard in the creak of these steps as he returned from work. I ascended them gently, lightly. Soon I was at the top.

From my perch at the top of the steps, I could hear her feet on the floor. She had a soft and deliberate way of walking. She never hurried anywhere. Hers was the unhurried motherly life. They swept one way across the floor, then she returned from what she was doing. Was she waiting? I could see her in the summer light. She would stand in her kitchen looking at me.

Around their door were piles of toys and children’s clothing. Colorful rubber boots, raincoats dangling from hooks and nails. But were the children at home too? From somewhere in the house, I heard the sound of a little boy. He was talking to his mother or calling for her. Was it the same boy or someone else’s son. I crouched there in the darkness. I breathed quietly. I wasn’t sure about any of it. But hadn’t I been invited? Maybe she was waiting for me to knock.

From somewhere in the house, I heard the boom of a man’s low voice. Was it his? This I also couldn’t say. I didn’t want to find out. I fled down the stairs. Outside it was summer, that tired, drawn-out heat that sneaks in by mid-July. Some laborers were at work at a neighboring villa. They were keeping the grounds and watched as I ran along the crest of a fieldstone wall. They saw me leap. They saw me run off down the street, hail a passing car, get in, and drive away.

cotton

A COTTON DRESS, red with golden flower patterns, like the kinds they sell in the spice markets and bazaars of Hyderabad. She was wearing this dress when she called in, but I was on a bus traveling between the interior and the coast. We were somewhere near Soomaa and I had forgotten all about the interview. I didn’t even know what time of day it was. In July, it’s so light that any time could be any time. Through the window I could see the trees, a white sky.

“I can’t talk now,” I told her. “Let’s try,” she said. “Let’s reschedule,” I said. “That won’t be necessary,” she replied. “Let’s give it a try.” When I answered, I saw her sitting there, Indian style, wearing that red Hyderabad dress. The dress was loose and open at the top. The woman had straw hair, blue eyes, freckles all over. She had a childish, playful quality; a toothy smile.

Her teeth were a little crooked. I liked that.

“Maybe we should start with the directive,” I began. “No,” she responded. She reached to her shoulders. “I just want to do this.” Slowly the red cotton dress was lowered, descending like the clouds at dusk. From within them emerged softness, smoothness. She was backlit by a warm morning light, but I didn’t really know where she was. Brussels? “Do you like what you see, sir?” she asked. “Yes,” I whispered. My cheeks were red hot. “I do.” “Good,” was all she said.

When we reached Pärnu, I ambled off toward Malmö Street. Why did these things keep happening? I was certain I knew that special representative from somewhere. But where? Then I remembered a Croatian girl we had gone to school with. Or was she Czech? What was her name? She had worn white pants to school in sixth grade on the day she got her period. This turned into a bit of elementary school scandal, but later, when I had confided the story in a friend, she had remarked, “Lovely. That’s nothing to be ashamed of.” That had inverted everything about that day. Was it her? Did she work at the Commission now? It was warm and there were people out, drinking coffees. But I was stuck in the fibers of that red cotton dress.

murder

SHE WAS MURDERED in the night. At what time, I cannot say. If Hercule Poirot were called on, I am sure he would deduce that it was somewhere between 3 AM and 4 AM, and all while munching on an apple and leaning against a desk in the study. This was not that kind of story.

It was Klaudia who called me up and showed me the victim. She was dark-haired, with Mediterranean features, although I was told she was purely Estonian. Maybe one of those creamy-colored Saaremaa islanders, the ones with the shipwrecked Portuguese forefathers. I didn’t know how they killed her but she looked quite peaceful lying there, like an old pillow.

It was also Klaudia who told me that I had to dispose of her body. This I did, without asking any questions. It’s hard to explain how this happens, but when you are standing over a corpse in the early morning hours, you just don’t start interrogating people. I loaded her up into my car, took her out to the moor. The green muck of those bogs swallowed the girl up and she’s still there, I suppose. The world sucking on her bones. A feast for the microbiota of the moor.

When I got back to the spa hotel, Klaudia was lounging around in her bathrobe like nothing was amiss. She looked beautiful, with her flame of blonde hair. She was inspecting her pedicure. “Don’t you feel guilty at all?” I asked her. “What for?” she shrugged. “She was annoying. Ever since she took over as our manager, Miss Jänes has been on the war path. She’s never satisfied.” “You didn’t have to kill her. You could have just joined another PR agency.”

Klaudia walked over to me and pressed a fingernail against my chest. She said, “Don’t forget that you are in on it too! If we get caught, you’re also going to jail.” I felt overpowered by guilt at that moment, awash in sorrow. I knew that it was true, what she said. But I never intended to become an accessory to murder. It was just another one of those things that happened in life. A coincidence. You miss a train, you stumble on the sidewalk, you dispose of a murdered and despised PR manager in an adjacent swampland. These things do happen, you know.

I looked over at Klaudia as she fixed her pedicure, blowing on her toes to dry them. How could a woman be so beautiful and so cold-hearted and remorselessly evil? I closed my eyes then. I clenched them shut and hoped that when I reopened them, Miss Jänes would still be alive and I would still be innocent. But when I opened them, I wasn’t at the spa hotel at all. I was standing in line at a ticket booth in a Finnish bus station. It was winter and there were restless Finns in jackets queueing behind me. But where was I even going? Something –järvi? Something –koski? Somewhere, anywhere, so long as it was far away from that bitter killing.