an old classmate

IT HAD BEEN YEARS since the name Cody Brigham even passed my lips, or flickered across the deck of my mind. To be honest, he had been relegated to dust, like everyone else I went to school with. I could never understand why people thought that school ties were the ties that couldn’t be undone. Sure, I knew them, by face and name, and maybe I knew a little about their personal lives — I think Cody’s parents were divorced and he was spending a lot of time at his grandmother’s house on Beach Street. But other than that, like most New York things, indeed, American things, they could have all been serial killers. Yet Cody Brigham hadn’t, in all of those decades since LL Cool J ruled the airwaves with “Mama Said Knock You Out,” forgotten me.

This I found out in an unusual way, as I walked the rainy December streets of Helsinki near the Kamppi shopping center, passing by shadowy Finns in raincoats and winter jackets who always looked away or down. Trams and buses rocked past me, and I trudged on carrying a parcel of books to be sold at an engagement in a local Finnish casino, as my career as a regional celebrity writer took on new, ‘Elvis in Vegas’ undertones. There I was coming up the street, when a man shouted down to me from one of the balconies. “Hey,” he said. “Come on up!” Then, to make it clear who he was, he said, “It’s me, Cody Brigham, from Sconset Elementary!”

He had been, all this time, aware of my movements and even was aware of my coming to Helsinki because of social media, and even knew the precise moment when I would pass under his balcony. Because of this knack for timing, he had managed to record video of me coming up that street. There I was, my hair slicked wet from the rain, with my big satchel of books. He showed me the film in his finely furnished apartment, which was situated in a large hotel.

“But why are you here?” I asked Cody. He looked more or less the same, of stocky build and of Northern European ancestry, with straight blond hair that was mostly intact, a solid, friendly countenance. It was him. Random weird things were my speciality, but this one took the cake. Or the karjalanpiirakat, as they say. “After I graduated from the University of Rhode Island, I went into hospitality,” Cody Brigham told me. “Do you want something to drink, eat? Lapin Kulta? Koskenkorva? Leipäjuusto?” “No thanks,” I told him. “Suit yourself.” He opened a bottle of Lapin Kulta beer and took a swig from it. “I worked in hotels all over the world, and eventually I was offered a job here in Helsinki, Finland, so I took it. And so here I am, man.”

How strange that a former classmate would be working in Helsinki and I would have known nothing of it. The whole situation seemed weird. After we spent some time talking about the old days, I continued on to my casino destination. It was then that I looked up at Cody’s building and realized that his “hotel” was also a sex club. There were images of Finnish women with whips licking whipped cream off each other. So this was Cody’s line of work? Funny how he hadn’t mentioned it. Maybe because it was so obvious? Or maybe because he was ashamed.

klaudia’s home improvement

AFTER I ELOPED with Klaudia, I was thrust into a home improvement job. I knew it was coming, it was all too expected, but at that glowing, early moment in the relationship, I was in a tender, giving mood indeed, and felt fine about sawing some wood or painting some windows. We went to a home improvement store in Estonia, which could have been Bauhof or Decora, to get some supplies, and Klaudia engaged in some friendly banter with the cashier, another woman who, like us, was inarguably middle aged. Klaudia was in a swell mood that day and she looked quite beautiful with her plume of blonde hair and red winter outfit. One could say there was an irrepressible five year old locked inside. I did admire this childlike side of her.

“And he’s going to renovate it all!” I remember her regaling the cashier, who typed all her orders up hotly with freshly manicured nails. Klaudia was standing on a chair, gesturing wildly. Someone had given her a mug of Decora coffee and she was taking tasty sips from it. At this moment, I said, “Stand right there, just like that!” I lifted up Klaudia’s red sweater and licked both of her breasts. This was done in plain sight of all the other shoppers. There was something wonderful about the contrast of Klaudia’s warm pink nipples and the harsh light of Decora. Or wherever we happened to be. Rather than feeling exposed or humiliated, Klaudia’s mood only soared. She laughed like a child and her blue eyes smarted with breast-licking joy.

“Men are wonderful,” said the cashier, typing away. “They lick your breasts and work for free!”

After we picked up our supplies from the back of the home improvement store, we went home, and Klaudia disappeared behind a door to discuss something important with her mother with whom she consulted on all important things. I looked around the room I was set to renovate. It looked as if it hadn’t been touched in 40 years. There were even old posters for Return of the Jedi on the walls. Dust on the windows, on the walls, strangling out the air. “Klaudia,” I called out to her. “Is it okay if I open the windows in here? I can’t breathe.” No response. They were still on the other side of the door. I only heard muffled voices. What were they talking about?

I began to move things out into the hallway to make room for the renovation. Slowly, devotedly. The first was a long plank of wood which might come in handy for a shelf later. I moved it out into the hallway, unfortunately scratching the old 1980s vintage wallpaper in the process. But when I set it down in the corridor, Köler, an old Viljandi dissident, turned up in his work clothes and snatched it at once. He wanted to use it for his own renovation project! Old Man Köler has been working on that pizza parlor on Tallinn Street for a decade now. I watched him disappear down the hall with Klaudia’s wood. I called out to her again, but she was behind the door, discussing something passionately with her mom. Would they ever stop?

childe harold revisited

HAROLD AWOKE IN BED. He was naked and there was another man beside him. The man was young and thin and vaguely resembled a young Rob Lowe. He was kissing his arm. “So glad you finally came,” he said, nibbling away. A sense of dread and unease passed over Harold, for he could not recall how he wound up in bed with Rob Lowe and was even more put off by the idea of staying there in those sheets. “But I can’t have sex with you,” Harold told the man. “Why not?” he said, kissing his forearm. That’s what we’re here for.” Harold glanced at the man’s tight, hairy chest. Just the sight of it disgusted him. There was an utter revulsion at the chest and Harold cried aloud, “But you don’t have any breasts!” The man looked up at him suggestively and smiled. “I have a very lovely chest,” the man said. “What are you on about?”

After that, Harold fled. He collected his clothing from the floor and put on his shoes in the entrance way. Just looking at the man’s enormous, canoe-like masculine shoes made vomit inch its way up his throat. He did not like that he felt such disgust at the idea of it but, alas, the life of a young Lord Byron was not his. The man called out after him as he slammed the door.

***

The sick feeling haunted him all through the city, where he had strange encounters. He could not especially say what city it was, but it was hot and there were palm trees. It reminded him vaguely of Bangkok, for people were making food right on the street. Mango vendors, coconut vendors, fish soup vendors. One man, an American expat in a Hawaiian shirt, was stirring a cauldron of linguine, but washing his trousers in it at the same time. “It’s really too bad,” he told Harold, stirring. “The pants have been clean for a while, but the pasta still isn’t al dente!” Harold tried the trouser pasta but the American was right. The linguine still wasn’t ready.

Harold also encountered some urban DJ types perched around the fire escape to an apartment building. There followed some friendly banter about Radiohead and the Pharcyde, and how 1990s hip hop and alternative rock were actually two prongs of the same musical movement. “Which is why if you play ‘Passin’ Me By’ followed by ‘Creep,’ you’ll notice they’re absolutely seamless,” Harold said. The weird scenarios and discussions of the city were nice. They took his mind off the Rob Lowe Incident. But the trail of disgust followed him everywhere, a sad ominous cloud. He searched through the floors of his own subconscious. But on the topic of Byron’s Greek love, Harold could only find an innate distaste for the taste of his own kind.

***

Eventually his wandering brought him to an old windmill on the edge of town. Perched among the reeds of an inlet, he knew he was somewhere along the Atlantic coast, whether it was on Long Island or Massachusetts, or perhaps somewhere even farther north. He went into the old mill and was at once blinded by a warm, sun-like light. In its center, on the floor, sat a nude blonde woman. Her skin was a natural tawny color. At once, he fell into her big-bosomed embrace, and began to feel, for the first time since he was a small boy, a large and complete love, a love that was in harmony with the twirling spheres of the cosmos. He was naturally aroused, but again felt ashamed, for he did not know the voluptuous windmill lady. Or did he?

“Everything is wonderful,” she whispered to him, in a silky, almost inhuman voice. “Everything is fine, Harold Childe.” Harold then began to kiss the woman’s enormous breasts which, to his surprise, were tender and swollen. A delicious sweet milk began to run from her nipples, like birch juice runs from a springtime tap, and he lapped it. But how could she have milk? Was the woman pregnant? Or had she recently given birth? Again anxiety swirled around him. “I sincerely hope,” Harold whispered to the woman, “that you are not my mother.” The woman kissed him and said, “But I am the mother of everyone and everything. For I am fertility itself.”

the musical floor

THE THIRD FLOOR of the psychiatric clinic was the musical floor. It was here that different patients were enrolled in a new kind of orchestral therapy. Nobody knew much about it, but Rory Lapp said that he just had to see it. “I think it might give me some inspiration,” he said.

Because of this, we broke into the hospital.

The first obstacle was the chain-link fence, which was easily overcome. Someone had forgotten to attach two pieces of fencing, and we slipped between them. Then came the highly guarded doors to the clinic. But an absent-minded orderly had left one of these ajar on a smoke break. We entered the building and began to climb the white stone steps. At times we were passed by mental health professionals in white coats, but they were so lost in their work, staring at the files of some patient, whether on a clipboard or a tablet, that they didn’t notice the two Estonian writers creeping around the highly off-limits clinical musical therapy ward.

At last we reached the top floor. Here the patients indeed roamed the halls, but some clenched violins, violas, and cellos. So this was the musical floor of the psychiatric hospital? And this was musical therapy? We looked around. “You know, I really have to say that I’m disappointed,” Rory said. “They don’t play or anything. I was expecting a concert.”

At this moment, an alarm began to sound to alert the hospital that it had been breached. We ran down the stairs and out a back door, into a crowd of local citizens. The back side of the hospital opened out onto the walking streets of a city that looked very much like Tartu. Police sirens could be heard nearby, and I understood that the entire hospital was being cordoned off. Lauri and I quickly stole some tan jackets from a coatrack outside of a riverside café and blended away into the crowds.

stockholm swing

A NEW FORM OF TRANSPORT, the Stockholm swing. It functioned as a kind of ski lift, except nobody was there to ski. Rather it glided along a set route through the city, like a funicular or cable car. Each swing could fit three people. Upon arriving to Stockholm, I shared my swing with Rory and Ella. We were lifted over the city, and Ella disembarked somewhere in Norrmalm to hunt for shoes for her collection. Ella owned at least a hundred pairs of shoes.

Rory had set up an interview with a local literary journalist. A young woman who must have been in her first year of university, and whose questions were delivered with a trembling uncertainty. I sat there outside a bakery with a coffee, naturally, answering her questions, as if I even knew the answers to them. The young woman wore simple, dark clothes. She had her brown hair pulled back into a ponytail. She was Swedish. I have no idea how Rory knew her.

There must have been something in my drink, because I became incredibly sleepy after that, and was invited back to the journalist’s apartment, where I promptly fell asleep on her wide bed. During my sleep, I was awakened by a bouncing, and opened one eye, only to see Rory rather aggressively making love to her about a foot away from my elbow. She naturally surrendered, letting out light, excited gasps. I closed my eyes and pretended it was a dream.

Later, after Rory and the young Swedish literary journalist had parted ways in a Stockholm street, I confronted him. “She was only eighteen,” I told him. “Just a young woman of eighteen! Consider it, a man of your age. You should be ashamed of yourself!” Rory was impeccably dressed and feigned confusion. “What are you talking about?” he shrugged, his blue eyes smarting, as if he was entirely perplexed, baffled. “It was just a bad dream. You were dreaming,” he said. “She was just eighteen,” I repeated. “A bastard like you had to take advantage of her!”

After that, I suppose you could say Rory Lapp and I had what later would be termed “a disagreement.” He went his way and I went mine. I caught a passing Stockholm swing and rode it all the way to the harbor. The ships to Estonia left from a pier near an old imperial fortress. It had long since been abandoned, but in recent years had been repurposed with cafes and boutiques. Such were the ways of effete Europeans. It occurred to me there, descending the steps toward my ship, that I had once been married, and had walked these same steps with another person. A person whom the world would have called “my partner.” But I was all alone now. Ella had her shoes, Rory had his young Swedish journalist. I just had my old knapsack.

What a sad feeling.

the treasury department

AFTER HIS COMPLETION of the Epstein Ballroom, President Donald J. Trump went to work on a new building to house Scott Bessent’s Treasury Department. The old Federal and Georgian-style Treasury Building, the central and east wings of which were erected in 1835 through 1842, was reduced to rubble and a new castle-like fortress was constructed on its foundation, as tall as the Sagrada Familia. This, strangely, contained elements of New York City’s Trump Tower, and its walls, escalators, and stairwells shined with gold-coated plates.

I was one of the first journalists allowed into the new Treasury Building, escorted inside with a North Korea-style sightseeing group. We were led up the stairs, which were gleaming with gold, to the second floor, which had the décor of an ancient Scottish castle, with moist, dripping stone walls and antique tapestries. Trump was there himself, bedecked in a Highland Tartan, and several other Scotsmen and women sat around an open fire. Trump seemed preoccupied with something and stared intensely into the air. He was whispering to himself and his blue eyes reminded one of a beached fish running out of oxygen. The Scottish guests only stoked the fire and talked loudly about how they felt comfortable in the new Treasury. “Aye, it’s not too opulent,” a bald man in a sweater said. “Only parts are covered in gold! What’s the fuss about?”

Downstairs, I discovered that a food court had opened. There were people sitting all around on wooden benches, the kinds that you might find at an ice skating rink. Here I encountered some Trump supporters in winter coats who were boasting loudly about how decisive their leader was. “Biden could never make up his mind,” one jeered. I intervened and said that, in reality, their president changed his mind almost every day if not minute. “Yes, I will give the Ukrainians Tomahawk missiles. No, I won’t. Yes, well, actually I will. Let’s see what Putin says.” For daring to bring this to their attention, I was cursed out, but I didn’t care. “The only thing Trump’s consistent about,” I shouted at his supporters as they dispersed, “is his love of tariffs!”

Down the gold escalator rode my old friend Eamon O’Toole next, with his loving Irish grin. He was dressed in a white sweater and gold chain, as if he had just got back from a wild house party with Kid and Play. The first thing Eamon O’Toole did upon meeting me in the new Treasury Building was laugh and say, “Well, well, well. Fancy meeting you here!” He had sprouted a slight red beard in the meantime, and there was a crazy gleam in his eyes. I told him about the Trump supporters and the tariff comment. Eamon O’Toole only laughed more. “All of these people suck,” was all Eamon said with an irrepressible delight. “I hate them all.”

We were then interrupted by Rory Lapp, an Estonian writer and poet and coffeehouse ghost who said, “Excuse me, but do you know where a bestselling author might get a decent espresso?” We went over to the coffee machine, but the first cup was full of a strange, milky liquid, and we realized the machine was cleaning itself, so we pushed the button again. Rory stood there in his black button-down shirt, waiting patiently to taste his first Treasury coffee. Funny that I would rendezvous with some of my best friends in such a gilded, tasteless place.

I noticed then a small gray mailbox by the coffee machine and opened it. Inside, I found a single letter, addressed to me, which I opened as well. It was a postcard with a picture of Ronja Rippsild, a prominent Estonian photographer. She was standing there, in her red shirt and green coat, a winter’s hat on her head. She was as pale as ever — I don’t think Ronja was capable of getting tan — and her dark hair hung around her shoulders. The note read, “Goodbye Justin,” and I scanned it intently, hoping that Trump’s demolition of the Treasury Building hadn’t caused my Estonian friend to commit suicide. Instead she said that she had had enough of the world’s problems and was going on a pilgrimage of sorts, which she intended to wrap up by the year 2049. “By that time, I’m sure we can live happy lives again,” Ronja had written. In the meantime, she planned to embark on a global Camino de Santiago.

“Well, that’s one way of coping,” I said to myself. I was going to miss Ronja while she was away. I sighed and returned to the coffee machine, where some loud Trump bashing was underway.

agostino

MY DAUGHTER CALLED ME. She said that Uncle Agostino was sick and that he had decided that, for whatever reason, he would soon board a flight to London, where he intended to die. Why he had selected England as his place of moving on to the underworld was unknown to me, but Uncle Agostino was a history buff, and it’s possible he just wanted to see some of its museums before leaving.

At once, I began my sojourn to Uncle Agostino’s house, down by the port. When I arrived, the old man was seated in a chair, dressed up in a Apulian folk costume. The wisps of his white hair poked out from beneath his cap and his arms were crossed. His legs were up on the counter and he seemed quite peaceful, or molto tranquilo, as they say. “Uncle Agostino,” I said, “is it true that you are going to die?” Agostino said nothing, but briefly glanced at me, as if he registered what I was saying. “And why do you want to die in England of all godforsaken places?” Again, there came no answer from caro Uncle Agostino.

My cousin Gabriele was at my side a second later. In fact, the whole house was full of various relatives. His dark hair had grown longer, his skin was tanned from all of the sun. He was in a fine mood despite the somber backdrop. The countertop was submerged in local cuisine. Panzarotti. Orecchiette con cime di rapa. Spaghetti e polpo. “Don’t mind Uncle Agostino,” Gabriele said. “He’s just preparing his soul for his journey to the underworld.” “I can see that.” “But those clothes won’t do for the funeral later,” Gabriele said to me. “You need to get some new Italian clothes. We Italians like to look sharp at funerals.”

Out into the street I went, searching for my wardrobe upgrade. Gabriele was correct. My shoes were worn so thin, they were coming apart. My pants were baggy and covered with stains. Mysteriously, my belt was too long, though there was no evidence that I had lost any weight. My shirt had been bought in India. Indeed, I was the very picture of a beggar. Again I came down by the port, where a ship carrying refugees from Africa had just docked. I stepped over them in my search for new Italian clothes. The sky was a strange, otherworldly pink, and it swirled high above the sleepy Adriatic, full of pulsating yellow-white blobs. It was a kind of Mediterranean aurora borealis.

“This is not Puglia,” I said, observing the sky. “This is somewhere else.” I turned up a street by the port and walked into a restaurant, where another family was celebrating some event, birth, death, marriage, what have you. But I was escorted out on account of my shit attire. Up the street, I found a shop that sold belts, shoes, pants, and for decent prices. There I was, rummaging through the discount bins, trying to look something like a presentable Italian. Again my phone rang. It was my daughter. “Are you coming?” she said. “Uncle Agostino is ready to go to England now. Agostino says he wants you to come with him.”

linnéa sur rivage

LINNEA WAS CAROUSING with another man. He looked and dressed like a young PIcasso and called himself “Dan.” I encountered them in an ice cream or gelato joint down on the beach. Linnéa wore a crisp white blouse and her head was an abundant tangle of sun gold beach hair. She was happy and Dan was happy. They were happy together until they saw me. “Oh,” was all Linnéa said, as if she had just been informed of a terrible accident. “Oh.” Dan lifted his cap to her and, before kissing her once on the hand and whispering some passionate phrases, left. Linnéa continued on, “It’s you. But what are you doing here? How is your new book coming along?”

I said nothing and sulked off. Later, Linnéa followed me into my bungalow. She crept up to my bed in the dark and then lied on top of me. Her back was to my front, her hair draped down across my face and breath. “Please write your book,” she said both to the ceiling and to me. “Please keep writing it.” “I don’t feel like writing any more books,” I grumbled. “I think I’m just about done with writing.” “No, no, no,” she whispered to the room. “Don’t let this,” she trailed off and the line lay limp, lifeless, sad, and incomplete. There was nothing to say about it.

Later we walked into town. We came down the promenade. I was still in an awful funk after The Dan Surprise. All of the gloom and jealousy in the world couldn’t make a woman love you, enjoy your company, truly, joyfully, effortlessly. The seaside was gray, hushed. Down a street, the police were breaking up a party that went out of bounds. The official reason was that the music was too loud. A few dark, unhappy partygoers complained to me about this injustice.

“We just wanted to listen to ‘Dancing on the Ceiling,'” one lamented. “Like in the ’80s.” They had strange, purple, almost alien faces.

“It didn’t used to be this way,” I said to Linnéa. “In the old days, you could listen to Lionel Ritchie as much you wanted, as loud as you wanted, and nobody would make you turn it down.” Linnéa was silent. She knew I was talking rubbish. “Again, again, again,” she said. “You again with your silly drama.” Dusk, night, fog, and twilight. Morning beachside melancholy.

the spirit of a sad woman

I NEVER DID FEEL comfortable walking by that room. It was on the second floor of the house and faced the rising sun. I suppose the house was here in Estonia, but it could have been anywhere. I knew, in a way, that it was haunted or occupied. It had such a terrible feeling to it. Some might say it was possessed. Some might say it was a poltergeist. Whatever spirit, entity, or otherworldly presence or being was rooted within those walls, I never knew of it or saw it. Until one day, when I walked by the room and saw that the door, usually shut tight, was ajar.

“There are two kinds of people in this world,” I whispered to myself. “Those who dare and those who don’t.” It was time to confront the darkest aspects of my subconscious. I opened the door and went in. To my surprise, this off-limits, evil-feeling room was in proper order. It was furnished with Art Deco pieces, a few velvet chairs and one long green sofa. At first, I thought there was no one in the room. On the wall, I saw there were a few paintings, also from the interwar period, except of boy band stars. Robbie Williams and Justin Timberlake leered out.

Who knew they had both had careers and been so popular a century ago?

Then, when I turned, I noticed the ghost woman. She was not quite transparent and floating by the window. She had shoulder-length brown or reddish brown hair and a white dress. Her back was turned to me. The spirit of a sad woman. Was she the embodiment or origin of the awful feeling coming from this room? Her hair was cut in the old style. I couldn’t make out any of her features. “Hey,” I said, reaching out. “Who are you? What are you doing in my home?”

My hands went right through her and she faded.

Puzzled, I looked around the room again, and noticed there was another room attached, with the door slightly ajar. The sad, horrible feeling was stronger there, I felt. I needed to go and look in that room too. At the door, I peered in. This room was dismal and purpleblue. The walls were painted the same, and the furniture was also from the 1920s. There were clothes tossed everywhere, the drawers to the cabinets and dressers were half open. This must have been the woman’s room. What was strange about it is that it was rendered in a different kind of spectrum. It was if Matisse had dabbed his brush over all. The room was soaked in colors.

So that was that. I stood there looking around the messy Henri Matisse room and then went back into the hall. But I had seen her, I had at last seen her. I didn’t know who she was, but she did exist. The source of the dread, the source of the unease, floating transparently in a corner with her back turned, fading into light. What would I do the next time our paths crossed?

julie andrews

I HAD SEX with Julie Andrews. At least, I think it was her. It happened on the second floor of an old theatre in London and it happened during a right-wing putsch against the Starmer government led by Elon Musk. Out in the streets, it was Unite the Kingdom Day and then some. There were union jacks fluttering everywhere, and the crowds swarmed into the theatre, up and down its regal staircases. British fiends helped themselves to free concessions.

Up on the second floor, I encountered Julie Andrews and we began to make love on some old chairs upholstered in plush red velvet. She looked just like she did in the Mary Poppins and Sound of Music era, except her hair was gray. This part I couldn’t understand. Why was her hair gray but her body had not aged? She had very long, supple, and tan legs. Maybe she had just returned from a holiday to Santorini or Tenerife? Some place where British actresses go.

The lovemaking was tender and sincere, but had a passionate, hurried quality to it. I told her, “I think we’re on the threshold of a new era in international politics and this is a part of it.” Julie Andrews gasped. Her legs were in the air. That’s all I remember, truly. I don’t think I will ever watch those old classics the same way again. Knowing what I know about Miss Julie Andrews.