THE THIRD FLOOR of the psychiatric clinic was the musical floor. It was here that different patients were enrolled in a new kind of orchestral therapy. Nobody knew much about it, but Rory Lapp said that he just had to see it. “I think it might give me some inspiration,” he said.
Because of this, we broke into the hospital.
The first obstacle was the chain-link fence, which was easily overcome. Someone had forgotten to attach two pieces of fencing, and we slipped between them. Then came the highly guarded doors to the clinic. But an absent-minded orderly had left one of these ajar on a smoke break. We entered the building and began to climb the white stone steps. At times we were passed by mental health professionals in white coats, but they were so lost in their work, staring at the files of some patient, whether on a clipboard or a tablet, that they didn’t notice the two Estonian writers creeping around the highly off-limits clinical musical therapy ward.
At last we reached the top floor. Here the patients indeed roamed the halls, but some clenched violins, violas, and cellos. So this was the musical floor of the psychiatric hospital? And this was musical therapy? We looked around. “You know, I really have to say that I’m disappointed,” Rory said. “They don’t play or anything. I was expecting a concert.”
At this moment, an alarm began to sound to alert the hospital that it had been breached. We ran down the stairs and out a back door, into a crowd of local citizens. The back side of the hospital opened out onto the walking streets of a city that looked very much like Tartu. Police sirens could be heard nearby, and I understood that the entire hospital was being cordoned off. Lauri and I quickly stole some tan jackets from a coatrack outside of a riverside café and blended away into the crowds.
north! 