talking blues

LAST NIGHT I GOT TO TALK about the blues with Volkonski (the title of our discussion at the Pärimusmuusika Ait was “can a white man understand the blues”). It’s part of a series of discussions where a foreigner discusses the music of their homeland. I chose the blues to represent the US, because, as Morgan Freeman says, the blues is America’s classical music. We listened to Muddy Waters (“Got My Mojo Working“), John Lee Hooker (“Decoration Day“), Howlin’ Wolf (“Little Red Rooster“), Willie Dixon (“Hoochie Coochie Man“), Robert Johnson (“Hellhound on My Trail“) and I insisted on including Jimi Hendrix (“Machine Gun“). We also played “Commit a Crime” off The Rolling Stones’ 2016 Blue & Lonesome album and a tune by Gary Moore. For modern day tastes, I included The Black Keys (“Crawlin Kingsnake“) off Delta Kream (2021).

I was asked about how I found out about the blues. My memory failed me, but on the way home, I remembered watching The Blues Brothers on TV when I was about eight or nine years old, and telling my third grade teacher, Mrs. Vreeland, the next day that I couldn’t do my math homework, because “I was too busy watching The Blues Brothers.” That movie included performances by John Lee Hooker, James Brown, Aretha Franklin, Ray Charles, and even Cab Calloway (yes, he was still alive). Years later, in high school, a friend and I picked up the “mission from god,” and formed our own soul band (which needs to reform).

During the discussion, we also discussed blues folklore. The West African origins of the word “mojo”, which comes from the Fula language and means “witchcraft,” or what exactly a John the Conqueroo Root is. I also described the concept of a nation sack, where a person, usually a woman, collects some personal items of a man she wants to control, and keeps them in a tiny sack that she carries on her at all times. I also was asked to define the term “Hoochie Coochie Man.” “Hooch” is liquor, and moonshine in particular. “Cooch” is slang for a woman’s sex organs. A “Hoochie Coochie Man” likes drinking and sex. The Estonian translation was “handsa-tussu mees” or “puskari-vittu mees.” A “kõva vend” as Prince Peeter Volkonski said.

The blues were the music of the lower classes along the Delta, the Mississippi River, and later in the northern cities. It was the music of the Hoovervilles made of cardboard and metal houses, of gambling and prostitution, and crime, in general. It was the music of people who didn’t know when they were born, or could barely write. It was called the devil’s music. But, as Volkonski said, you could listen to the gospel in church in the mornings and sing the blues all night.

We agreed that a white man could understand (“mõista” also translates as intuit, or recognize) the blues, but we weren’t sure if a European could ever play it with as much grease, dirt, and soul as Muddy Waters or John Lee Hooker. It gets inside you, but it’s almost impossible to copy. Many have tried, but only few have succeeded. He praised the Stones’ album as being as close to the genuine article as you could get. “It’s almost as if it was recorded by a completely different band,” he said. Volkonski loves this music and spoke passionately about it. He’s a true Blues Brother or “bluusivend.”

dead sea

THE HEADLINE READ, “McCartney Dies! Ringo Last Living Beatle!” and there was a photo of Mr. Starr giving the peace sign. I folded up the newspaper and tossed it back on the counter at the seaside bar. One of the natural attractions was the wreck of a ship more or less on shore, and you could walk out on its rusty deck and look over the edge into the roar of the sea, if you dared. There were other families on the ship’s deck and I noticed, with some concern, how a child dove off into the water and swam back, safely. Of course, my daughter wanted to swim too, and before I could say no, she went over the edge, into that swirling froth. I thought about diving in after her, but soon after she was back on deck dripping wet. On the way back to the hotel, Lata ambushed me. She had been hiding in the bushes. She told me she wanted a baby, but I said it was an impossibility. “Please, please, please,” she said. “I love you.” I told her it was impossible. “If I have any more children, I’ll just die. And that’s the beginning and end of it.” I felt rotten about the whole thing and went back to the hotel room. It looked over a vast swimming pool, but there was something lifeless about it. “Dead Sea,” I quipped to myself. Where was this, anyway? The Bahamas? The Canaries? All these places looked the same. Later, Ramon came by to pick me up. He cruised up in his convertible and off we went. Latrell was in the back seat. He kept putting his legs on me and I kept pushing them off. He was in a bad mood too — was it McCartney’s demise that had rankled everyone? — but Ramon kept telling us that McCartney had really died back in 1966 in a car accident, and it was only his replacement, William Campbell, who had died. Or maybe he had also died and this was just another replacement? How many McCartneys were there? I felt bad for Ringo. He was the oldest one, and now this? What a rare honor, to be the last of a quartet. I’d had enough of dead ships and dead seas, dead heroes and and dead everything. I needed to find another island, to get away for a while. As soon as we pulled up to the little supermercato, I gave them all the slip.

enough space

I WAS IN ENGLAND or maybe Scotland. Some larger UK city with Georgian architecture, but nothing recognizable. I was looking for a cash machine, but there were none around. There was a café toward the ends of one wing, but nothing else there. Just some city folks drinking lousy coffee and an old man selling Cornish pasties. While I was searching, I encountered a young family with two sons who recognized me. They were fans of my work, and I was happy to sign autographs, but they would not quit pestering me. I lost my temper. We were by the main door and I sprinted across the street to get away, into another gold-bricked mansion. This, as I found out later, was the main building of the regional NHS Trust. I did find an ATM and withdrew some crisp banknotes. They had not yet replaced the queen with the new king. Vesta was there waiting. Vesta’s had a hard time of it. She always does. She is a firestorm woman of uncertain circumstances. We began to leave the center together, and I was surprised when she wanted to do it right there at an intersection. There’s a kind of desperation with her that is so satisfying. Many long for comfort, for security. They want to be held and never let go of, preferably by someone with a good-paying job and of sufficient emotional fortitude. Not Vesta. She’s a monsoon, and that only makes it doubly satisfying. “No, no, no,” I told her, “Everyone will see us! Let’s go back to my place.” At my place, we climbed the stairs and went into a closet. There were people downstairs having some lunch. I could hear them eating, but we felt safe and there was just enough space.

stig’s slingshot

IT WAS A SCATTERED and disjointed scene, as are most parties at the Depps’ house. I use Depps, plural, as due to some tinkering with the space-time continuum, or other freak accident, there are now two of them, and they are both the same Johnny. There is a 40-ish Depp, the one who starred in The Curse of the Black Pearl, and then a much older one, the graying, grandpa Depp, about to star in some future, unpenned installment of the Pirates of the Caribbean franchise. The older Johnny Depp gives the younger one pointers, but they don’t always see eye to eye. Sometimes the younger one listens, sometimes not. Because they host so many events, these discussions are usually around trivial matters, where to place the beer keg, for example, or what kinds of wine to serve. If you remember correctly, there is a back living room with plush couches, a large, open central area, complete with a kitchen and well-lit by skylights, and then another room beyond that, where the boys and girls like to play billiards and there’s even a juke box with records by the Electric Prunes and Amboy Dukes and “Rumble” by Link Wray. Beyond the billiard-juke box room, there is a smaller space. This is where Depp, Sr. and Depp, Jr. keep the wine. The wine room. There’s whiskey in there too. Cognac. The man (or men) likes to drink. Of course, someone had to bring a python to one of these things. It was the night that Stig was over to host another murder mystery. Stig, as you know, carries a slingshot in his back pocket for protection. One can never be too careful. Considering I was stuck in Johnny Depp’s liquor stash, cornered by this tropical snake, I thought it would be an apt time for him to wield it. But he said no. Not only did he only use the slingshot on special occasions, but he didn’t want to get his suit dirty. Then he told me the snake was my problem. Stig turned off the lights, shut the door, and went back to hosting.

the return of dulcinea

ONE DAY, I stopped into Abbey Road Studios. McCartney was there, as usual. He likes to get in the studio before the rest of his bandmates. He was seated with Linda, and showing her the chords for a song he called, “Don’t Go Chasing Polar Bears.”

It seemed odd to me that Linda was still alive and Paul looked so young, and then I realized that it was 1968 all around me. It was also kind of strange that he wouldn’t release that song for another dozen years on McCartney II. The more I looked at Linda though, the more confused I got. Because Linda suddenly looked like my mother, but just as my mother would have looked at that time. What was my mother doing with Paul McCartney in Abbey Road?

I left the music studio and went back to my hotel and rode the elevator up to the fourth floor. This turned out to be the same building I had lived in as a freshman in college, Thurston Hall on F Street in Washington, DC. It was just as I had left it, filled with trash and roaming co-eds, like some kind of posh university version of Mad Max: Beyond Thunderdome.

Dulcinea passed me in the hallway. She looked fine as always, with her straw-coloured hair, but she was chasing a small child, and I could see she was expecting more. “I have twins on the way,” Dulcinea said. She was wearing some kind of creamy Victorian dress, with a corset and full skirt. I felt excited and miserable seeing her all the same. “Well,” I said under my breath, “I hope you are happy now.”

I found out later that Dulcinea had been having an affair with her history professor, and that her father had with great haste arrived to the university to shoot him with an old pistol. Dulcinea ran from the whole thing, and nobody knew where she had gone. Probably back to Spain.

Later, I recounted the story to some friends at a café. Old Grace Slick herself was there sitting in the corner, listening to my tales of McCartney, Dulcinea, and murderous fathers, and started cackling to herself. “What’s so funny?” I asked the ancient Jefferson Airplane singer. “Life is funny,” she said. “Well, what else do you expect men like me to do,” I said, “when all of you girls are so damn beautiful.”

the wrong boat

THIS STARTED WHEN Erland and I were cycling in Norway. We were traveling around and eventually arrived to the M-Fjörd, which had on one side a long, picturesque view of the sea through rings and rings of old pines. I could even draw you a map of the place if you would ever like to go there. We traveled down a gravel road through the pine forest and arrived at what looked like a botanical garden and museum. It might have belonged to some old philanthropist at some point. The kind of place that had been gifted to the state upon his death. Within this old estate, we encountered a red crow with a broken wing that was sprawled across an ancient sun dial. It could no longer fly but it continued to struggle with its wing. Later, we went into the back building and down a set of wooden steps. This led to a dockside bar. There were a lot of young couples sitting around drinking Guinness or glasses of white wine. The place had a New England feel to it, with platters of fried clams on plates with lemon wedges. Suddenly, the whole bar began to rumble and the man at the bar, a younger fellow with dark hair, informed us that we were no longer at the museum, but were actually on a seagoing vessel bound for the east coast of the Americas. Soon we had left the harbor behind and were out on the open sea, somewhere up in the North Atlantic between Iceland and Norway. Dozens of vessels came through the sea, mostly warships bound for Russia. I was surprised the news had not informed me of this fleet bearing down on Arkhangelsk. There weren’t only American ships. There were Canadian vessels too, and I spotted a few with Scandinavian flags. I went to use the restroom in the boat bar, which was located in a ship’s cabin, and saw on the wall a faded map of Orient Point, Long Island. Was this ship really going to sail all the way to Orient? Erland came into the cabin and said, “You have to get out quick. We’ve been torpedoed. The ship is taking on water!” I looked down and saw that my ankles were already wet and I climbed the steps. We both jumped off into the sea as the boat sank. We were soon rescued by a Swedish vessel passing by, and returned safely to Europe.

thanksgiving

IT WAS THANKSGIVING, and the whole family was gathered at a palatial house in the country. It was something like an estate or old manor house, with multiple entrances, stairwells, dining halls, and many floors.

The feast was arrayed on long wooden tables, protected with simple white table cloths, and the furniture in general gave one the impression that it had once belonged to a guild of medieval carpenters or perhaps really some Round Table knights. But with all of those platters coming in and out of the kitchens, with all of that racket, with all of the children climbing over and up and on top of everything, I was overcome with panic and went outside.

There I stretched out in the grass, just for a few moments. It was cold, but not so cold that one couldn’t be still in the grass. That’s when I saw her, with her big tufts of curly hair, cycling away in the distance. I hadn’t thought of Celeste in ages, but she was still cycling around on her white bicycle, running errands, or going places, lurking away on the periphery. Cycling away.

I wondered if she had seen me in the grass. I wondered if she ever cared. Her back was to me, and soon her black silhouette disappeared into a hot orange sun.

When I went back into the house, most of the feast had already disappeared too. It had all been eaten, and most of the guests had left. There were just hundreds of messy plates and half-drunk glasses of juice and coffee. I was all alone there in the banquet hall. I found a basket full of untouched red plums in the center of a table. Then I took one of the plums and ate it.

my love, she speaks like silence

I NEED SO LITTLE from the world these days. My heart is reformed and realigned, so fat, plump, warm, and content. What a funny solstice, everything turns, everything is now like this.

This is how it works. It comes into you and remakes you over. For just a few shimmering moments on the solstice night, she was the most beautiful person anywhere, who may have ever existed, and maybe even the most beautiful phenomenon in existence. If there were stars in the sky, then she was the brightest and most flaming of them, and if planets could be seen by the naked eye, then hers was the most incandescent. Of course, this phenomenon of love merits study. Love is warm, pulsating. It is not stagnant. Love wants to move, love wants to flow, love rides the ocean currents around the world. Love is natural and as alive as nature.

But what do we do with love, this phenomenon that requires nothing to be done to it? We try to contain it, define it with words and ideas, crank out paperwork and bureaucracy. We forge it into golden and silver rings. We try to make serendipitous and bizarre things out of love, sculptures and buildings. What comes of it? Does love seep into the upholstery? Can you spray yourself with it, like a fine perfume? Does it even deserve a word or words, ideas, concepts, shapes and galleries? Music boxes with a spinning ballerina, fixed in place, that you can take out from time to time and watch and observe as it performs? Wax figures on a frosted cake?

I could just sweep this all away like chimney ash and reduce it to nothingness, but there is something here. There’s no more reason to talk about it though, this pure and undulating thing. It requires no words. Nothing needs to be done to it or for it. Love fulfils itself.

Sometimes though when I see something or hear something, I am reminded of love. I recognize that it exists, just like that red planet in the sky, or those transmitting stars or you, sitting there quietly in a corner. It exists and it emits. I would rather just let it be and breathe, sit and incubate inside of me. I know it will hurt one day, if it is taken away. But we all know that good love can never really leave you. No, never. Good love never leaves you. It lingers.

phil groia stories

PHIL GROIA WAS MAYBE the best teacher I ever had. He was an expert on 1950s doowop and knew a lot of blues players, like John Lee Hooker and Taj Mahal. He taught 9th grade social studies. I remember how we watched the film Gandhi in class, which is over three hours long. A student complained and Groia shot back, ‘Why don’t we watch a three-hour film about your life? I’m sure it would be more interesting.’ A young Groia was on the way to school in 1947 when he heard on the news that Gandhi had been assassinated. The last time I saw Groia was in Port Jefferson around the year 2000. He was complaining about getting harassed by Giuliani’s NYPD, and had befriended a much, much younger woman he met on the train. “I didn’t know how old she was,” he told me. He was larger than life. He passed away in 2014.

***

Groia had a longstanding misunderstanding with another teacher, who, incidentally, also did not like me very much. One day Groia took me aside and said, “Don’t listen to him. He’s not even a conservative. He’s to the right of fascist.” This was probably how I was sorted into the left wing. I could have become another fascist, but Groia intervened, like a guardian angel.

***

Groia also liked to talk about his childhood in the 1940s and 1950s. He was born circa 1940 himself. Back then, in the Harry Truman era, they would get small milk containers (you know the kind, in tiny cartons, the standard containers you get in public school) with their meals. But Groia and his classmates would weaponize the milk and launch the containers over the fence at other unsuspecting classmates at recess. They made good milk bombs, he said.

***

Because of his interest in doowop, Groia was at times invited to high profile events. He was the author of, “They All Sang on the Corner: A Second Look at New York City’s Rhythm and Blues Vocal Groups” (1983). He described being basically the only white person at one event, where he was seated next to Public Enemy’s Chuck D. Supposedly, he and Chuck got on great. I wish I had been there.

***

After the ridiculous excesses of the 1980s, the ’90s were a time of sobriety and/or dark drugs, nihilism, and serious dudes wearing black clothing. Dayglo, hair metal, Lacoste, and acid wash were out, black turtlenecks and The X-Files were in. Groia would wear a black turtleneck and sit at the head of the room with his coffee cup talking about Gandhi. He drank his coffee black, as he was such a serious dude. The inscription on Groia’s cup read, “No More Mr. Nice Guy.”