LAST NIGHT’S nighttime immersion. Another sloppy mash up, but this time with Britishers all around, including Ian Will, who was an old marketing exec I used to see at meetings doing card tricks and seducing girls at the bar (and a happily married father of two, I might add) and there he is across the table with me in some office building in London, and I am surrounded by all of these cheeky twit Britishers around, cracking jokes I cannot understand (meantime I need to do an interview, but it’s like a goddamn Monty Python sketch, Monty Python meets The Office, yes) and they just won’t shut up. I take the interview into a phone booth in the corridor (because those still exist in dreams), but it’s no use, and somehow I tumble down into a bathtub with a familiar writer’s long and luscious legs around me. But, you know, it’s not sexual, she just wants to comment on my new efforts. (“They could be better,” she says. “You know you’re more talented than that,” she adds.) So, yes. In the time of pandemics and death, I find myself dreaming of England, old stone walls, haunted graveyards, war memorials, black taxis, pubs with fat sausages and mash and thick pints of beer, crummy tabloid newspapers with nonsensical headlines, gray-white weather, and that winsome brook in Duxford that gurgles over the road. Missing, missing England. Missing England in March. Missing the hot and the cold taps, and filling the bath, sliding in and watching the lovely weather presenter in East Anglia. Look East! I never learned her name either. Never needed to.