telliskivi can-can

STANDING IN LINE in Telliskivi, waiting to enter a French-themed can-can bar behind an older lady with short gray hair parted on the side, and spectacles, like an aged Frau Farbissina from the Austin Powers franchise. At the desk they requested her recovery, vaccination, and booster codes, and she was lacking one, fumbling through her purse, speaking in broken English, so they sent her away. When it was my turn, I spoke to them in Estonian, but the security guard, a husky type with a handlebar mustache, informed me that he had no knowledge of that language. Then an older man came out of the establishment and addressed him in German so perfect, I later marveled that my mind could reproduce the German language in such a believable way. He was trailed by a French-speaking couple. Same story. There were some Estonians working the front desk, but they gave me that dreadful Soviet legacy service, just shrugged their shoulders and blinked and did nothing. “Not my problem.” I left the can-can bar and went somewhere else. I didn’t have three passes anyway. Persona non grata, that’s what I was. No can-can for me. Not this time.

kärt and anselmo

ONE NIGHT I dreamt of Kärt and Anselmo, her Latin husband. We were at their penthouse in the city. It was late morning and Kärt was sprawled out nude in her bed, engulfed in crisp, white sheets. The sun was through the window on the sheets and illuminating her tufts of wild golden hair. I was kneeling beside the bed suckling on one of Kärt’s breasts while she took part in a Teams meeting via her phone. Kärt is not one to let bedside reveries get in the way of work.

Sometimes though, Kärt did get thirsty and dispatched me to fetch her some water or coffee, which I was only too glad to do. Then Anselmo, that brooding Spaniard, would enter, tying his tie for work. He would take his turn kneeling on the opposite side of the bed, and being attentive to Kärt’s other breast. My breast was her right breast. Never did I venture to the left. That was Anselmo’s territory. Likewise, he never took her right nipple in his mouth. It was my job to be attentive to Kärt’s right breast.

This went on like this for some time in the dream, the jug worshipping, until it was time for us to both leave. Kärt needed to prepare for a working lunch. Anselmo meanwhile had ignored me for the entirety of this exercise (other than to lecture aloud, as if to a spellbound audience, that visitors had to keep their hands above the sheets, that is, only breast licking was permitted in the penthouse and nothing more). At the door though, Anselmo for the first time turned to me and asked, “What do you think, Justin, is it really possible for a man not to have faith in himself?” 

It was a very serious question and Anselmo looked me in the eyes as he asked it to me. To which I replied, “Well, if he has done all that he can and it still doesn’t work out, I suppose a man has reasons to doubt himself.” Anselmo nodded repetitively as if making a series of calculations. Then he called me a defeatist and marched out the door to work.

I am relating this tale to you now because one of my friends told me that I should try to write more about sex. She is a long-time confidant, a middle-aged woman and a mother of three. But she wants to read about sex. Sex involving me? Like what? Positions? Experiences? Advice? 

When I told her that it would be difficult for me, ethically at least, she suggested that I write about dreams instead. “Use your imagination. You can get away with anything in your dreams.” This she said with a wink and was out the café door holding several bags of fresh coffee. 

That dream about Kärt and Anselmo is a recent one and I really enjoyed it because it was so different. Breast worshipping? A Teams meeting? I could never make these things up while I was awake. These kinds of dreams are interesting because they always find ways to surprise you. It’s always a treat just who you wind up with in your dreams, and often you wind up dreaming about people who maybe aren’t so attractive to you in your waking life but are quite thrilling to be with in bed when you are asleep. Then you awake in delirium, feeling as if a great truth has been revealed.

One night, I dreamt again that I was back in Tallinn. I was down by the Linnahall, which had now become a tropical location, with a bright sandy beach lined by palm trees just like in Belize. The Linnahall was overgrown with vegetation and vines, like some kind of ruined Mayan temple, and the waters of the harbor were crystal clear and warm, and you could see your feet below. That was not all you could see, because it was then that I realized that I was completely naked. So there I was, naked in the capital. I managed to steal a towel from someone on the beach, and soon was sauntering through the Rotermanni kvartal wearing my makeshift diaper. 

Of course, when I reached the publishing houses on Maakri Street, I happened to see Linnea, the beloved author of many prominent and revered books, who was exiting some swanky party. When I looked over and saw her shapely form attired in one of her flowing elegant dresses my heart sank. To make matters even worse, Linnea was walking right my way. Soon after, we were making love on a bench on Maakri Street, she in her elegant dress and me in my stolen towel. Then I noticed the photographer from Kroonika had arrived to take a few photos of our scene. Rather than flee, Linnea only pulled me closer into a sumptuous kiss. “Don’t worry,” Linnea said. “You and I are going to sell lots and lots of books.” Her words soothed any remaining concerns. And soon after, the city was full of the sensual sounds of sighing, suckling, satisfied dreamers. 

Who would ever want to wake up from a dream like that?

fires

THIS IS THE SEASON, the season of heavy boots and crackling fires, of warm blankets and dark nights. It’s a relief at times to feel winter’s cold hands on your face. As hard as it is on the body, as hard as it is on the mind, and hard on the soul, there is a stunning beauty in the diamond elegant hardness of winter, in those frosted-out branches reaching to the moon in full, mirroring back light like phantom fingers.

Outside, the local men march and return, ascending crooked staircases, great armfuls of birch and alder to burn, held tight in their muscles. That hard-headed determination, that clenched desire to survive and keep warm. Inside their wives and girlfriends are making them soup or tea. Sometimes their girlfriends are other men’s wives.

On some cold nights, it’s all too much. On some nights, it feels good to shiver, to let the cold have its way with you. Let it all in. Let it in through the doors, and windows, through the floor. Then it’s morning and I wake up thinking about Brynhild, which is some Old Norse goddess name I have given to one woman who appears from time to time. I think of the comfort of her breast, and how weak I am for it, and how she is unrepentant for betraying her husband. “It’s complicated,” she says.

I don’t like being weak, or vulnerable, or in need of comfort, but when the opportunity arises, that’s when I understand how famished I am. My life is full of hard things. Heaviness, wintryness, ice floe hardness. There is no natural softness in me, so I seek out the soft. I dream of the warmth and of the soft as I head out to the wood barn and the flakes are fluttering down in the moonlight at midnight. I crawl up and sleep in the room beside the hot flames in the furnace and awake beneath the blanket at the very first signs of light.

Outside, there are already people on their way somewhere, stepping over mounds of snow to head to the cafe or to the apothecary, bundled in hats, gloves, shawls, boots, and just a little room for their wild eyes. Sometimes I ask myself, do I love Brynhild? The answer I think is no. I don’t love anymore. Sometimes I try, but it never goes anywhere. You get that big feeling and all you are left with is some words, or an idea, or the memory of being content for a while. Sometimes the women I think I love have partners, which means they are locked up tight like princesses in some castle, and there’s no getting at them anyhow, even as they blow kisses at you from the tower. Sometimes they don’t, but they are always looking for something better. Sometimes they pass you on the street with another man. Most times they don’t look back. They might wave to you. That’s when I think that love is just some word someone made up once upon a time. Like a fever dream, I wake up restless again and aching for comfort. I think again of Brynhild.

Sometimes you don’t fully understand how hungry you can be for a woman until she’s lying there nude beside you. Sometimes the experience is so confusing, so euphoric, and so grotesque, that I don’t know what to think. I keep coming back for more. I have to go back because I want more. Anything to keep warm on cold nights. This is it for me then, the restlessness, the shuffling, the drifter’s life. Like some bluesman hobo of the American South, moving from town to town. You listen to the blues and fall asleep to them at night. You get up, put on your snow boots and head out. Maybe some princess in a tower might blow you a kiss. Or maybe Brynhild will at last take pity on your soul. Maybe today will be different.

beach party

IT WAS ME, Mingus, and his old pal Banastre, who used to play bongos for Juliette François, the chanson singer. Mingus had on his beret, and the seaside humidity was fogging in his glasses. Banastre was at the wheel, in his “Frankie Say Relax” t-shirt and graying, shoulder-length hair. Both Mingus and Banastre are girlfriended men now, betrothed to Thursday and Wednesday’s Tinder dates, respectively, and they like to give me advice about how a real relationship should work, and how much time and energy one must invest to extract the golden nectar held within. “Every gift should be more expensive than the last,” noted Banastre, “and every vacation more luxurious than the first.” “That sounds like a lot of hassle,” I said. “I don’t need that in my life.” “But you must be in a relationship,” said Banastre, glancing into the rear-view mirror at me riding solo in the back seat. “You absolutely must.” “Why?” “Because anyone who isn’t in a relationship is a loser!” “I think what dickhead is trying to say here,” jazzed Mingus, “is that it would do you good to have a steady woman.” At that, he put on “IX Love,” and we listened to the fine bass line at the beginning and that was the end of that part. We drove on through the high reeds along the inlets and bays of the West Sea until we reached the beach house, which is where the party was. It was some gathering of horribly average people though, who were talking about Pipedrive and Bolt and there was some suspicious white dip that might or might not have herring in it. Something about it was too Nordic Silicon Valley meets Melrose Place for my liking, even though it was a cool house, multistorey, with high peaked roofs, and hammocks strung from high beams, cushions on the floor, curries simmering above tiny flames, Indonesian in style, and a sauna downstairs, of course. From the deck nearby, I could see a small island beyond the beach, with a rickety wood fence, and some colonial tombstones. Somehow I wanted to get to the cemetery island, where I thought it would be more peaceful, but to get to the stone bridge that led there, one had to squeeze through a tiny corridor, and I just didn’t fit, and most of the bridge was submerged in sea anyway. One of the party girls came over to me and told me not to even try getting there. At the party, there was a certain hippie woman with braids and floaty, dreamy, way-high eyes, the eyes of any lady who has dropped too much acid. Nightmare Hippie Girl was wearing a black shirt that read “Quicksilver Messenger Service.” We went to the toilet and began to kiss, and then I pulled those hefty breasts out of her shirt and began to consume them. It felt dry and tacky though, you know, and tired and soulless, and there was no love in it all. I wanted to go home, now, but Mingus and Banastre were having none of it. “Relax, man,” said Banastre. “Hang with us. Want some fish soup?” Then another man came in through the screen door, looking like a yuppie extra from Weekend at Bernie’s, with his sweater tied around his waist, and announced, “The weather is looking grim out there, folks.” It was. Dark storm clouds dotted the horizon, and the air was thick with portent and pre-lightning humidity. The water level started to rise, and I realized there was no way to leave the house. There was no way. I looked over the bay again at the cemetery island. Then I tried to call my daughter to ask if she was all right, but nobody answered. I went down the steps and saw my bag floating toward me, rising on the crest of the water. I must have left it on the beach sand when we arrived. The outside of the bag was soaked, but everything inside was still dry. I went back inside, found a hammock and just lied in it. I took out a paperback and began to read it there. It was The Long Goodbye by Raymond Chandler. The strange acid girl was there in the corner, sipping her soup and staring at me with her quicksilver eyes. Mingus and Banastre were somewhere off having sex with their girlfriends in the sauna. “But you must have sex with your girlfriend in the sauna,” Banastre had said before heading in. “You absolutely must.” Miss Quicksilver eyed me. “I love you,” she mouthed. Would we be joining them for a perfunctory sauna shag? Not yet. The hammock was just too comfortable and someone was playing a gamelan. I read about Marlowe’s private eye adventures in 1930s Los Angeles. I must have dozed off after that.

the north star stipend

THE NORTH STAR STIPEND, an annual allotment of state support for the arts. I badly needed the money and I badly needed help with my project. I decided to go visit Christian and Anita, who live down the street. They’re both heavily involved in the arts scene and have been awarded various state honors, medals, sashes, and accolades and have had their words chiseled into granite. Christian has been passed up too many times for a Nobel, but will surely receive his invitation to Stockholm someday. The residence is brimming with stacks of books, a lovely old fashioned-drawing room where Christian sits, thumbing a gray beard and smelling of pipe smoke. There he reads Bergman’s The Magic Lantern and contemplates existence. I knew Christian would help me win the stipend. Yet he was not at home. His wife Anita was. She beckoned me to the second floor, and then into her bathroom, complete with large windows and big white bathtub, and thus began to undress herself from a loose-fitting gown. Anita was a much older woman, with white hair and light eyes. She was once a stage actress, a contemporary of Jane Fonda and Catherine Deneuve and other legends, heavily courted by many of the world’s most decadent and monied men of industry, but chose this life instead, a life of letters, libraries and literature, a life with Christian. She was visibly older now, with plenty of wrinkles everywhere, lines no cream or cosmetic could conceal from the cruel illumination of the sun. There she was beside me, undoing her shirt slowly, and I felt at her breasts, which were still quite smooth, supple, and firm. It went on from there, slowly, deliberately, as a connoisseur sips a well-aged wine. We were only disturbed by good-natured whistling of Christian coming in downstairs, jingling his keys. “Honey, I’m home.” Anita dressed, and I came down the stairs alone, holding my head as if wounded, trying to look nonchalant. “Aha, Christian, it’s you.” “What are you doing in my house?” I was stricken with shame and embarrassment. “I came to ask your advice on a project. I am applying for the North Star Stipend.” “The North Star Stipend! Why, yes, of course. Of course, I myself received it many times. Even the first time, back in 1968. Or was it in 1969?” In my flustered, post-adultery mindset, I couldn’t express myself quite well. I stammered and mumbled, and couldn’t even remember what my idea was about. I left their home feeling like a true savage loser, and knew Christian would look at me differently the next time our paths crossed. I had so wanted to be a great writer, that was all I had really wanted, but I was just some actress’s part-time bathroom consort, it seemed, good for wet kisses and thespian breast fondling. At my own apartment, I could see my fellow writer Eeva out on the terrace. She was now living next door to me and seated in a chaise lounge reading a book, dressed up nicely in an old-fashioned 1940s Hollywood dress, complete with a hat, and her blonde hair was drawn about her shoulders. She had some visitors too, but when I called out to them, Eeva said that they were from Russia and didn’t speak any other tongue. “Ah,” I said then. “Harasho!” Everybody laughed, and for a while I forgot all about the North Star Stipend. Later, I returned to Christian and Anita’s house. Christian wasn’t home again, but Anita was, and again we repeated the bathroom sex scene. Again that feel of eerie sensual decay. I enjoyed it. Who wouldn’t. But it troubled me so, the whole sordid thing. After a long lingering kiss, Anita looked at me and said, “You know, I think we should stop this thing between us. I can’t really see it going anywhere.” We agreed, and I left soon after, never having consulted Christian, not having made progress. Later, my application for the North Star Stipend was denied by the review board, on which several of Christian’s colleagues sat, but I was fine with this dismissal, just fine to leave this bizarre macabre tale of secret loving behind. I still had my novel. I should concentrate all of my energies there. I went back home to the apartments, where Eeva was still lounging on the terrace, reading a paperback and eating an apple. She looked quite nice there in her old-fashioned dress and the Russians were long gone. It was nice to have such a pretty and talented neighbor, even if she always had her nose in a book. I decided to join her on the terrace with my writing machine and she never stopped reading. Then I sat down behind my clackety typewriter, rolled up my sleeves, and got back to work.

gallows pole

THE SITUATION AROUND THAT, like many things, makes me uncomfortable and so I prefer not to speak of it. Instead, let me tell you about my dream, which involved a Spanish maid of all things, or rather, all people. Her name was Esmeralda, and she had small, soft, palm-sized breasts. I know this because as she was tidying up, she approached me. My wife had gone out and left behind a small shrine in the corner of the house, which consisted of a fire burning, and then a woven blanket placed over it, stitched in the parish fashion. “It is very beautiful,” Esmeralda acknowledged it, and then, lifting her shirt, implored me to touch her chest. It was comforting to touch Esmeralda’s breasts that way, they were very soft, and this seemed to calm Esmeralda who, after enjoying the sensations, pulled her shirt down and went about cleaning up the rest of the house. I rather enjoyed it too. I am not one for taking advantage of the help, but if a woman asks you to grope her breasts, then you grope her breasts, no questions asked. Later, I went down to the port where another confidant, a blonde woman who happened to be a bus driver, asked me to ride the entirety of her route with her. To soften the deal, she played Led Zeppelin’s “Gallows Pole” on the transport bus, so that I would feel more comfortable. It was an autumn day in Tallinn, sunny but drenched with morning rainfall, and the bus rode from the port up toward that tram stop called Kanuti, where it seems five roads and six tram lines all merge into a tight circle. All the while Robert Plant was singing, “Hangman, hangman, wait a little while,” and the bus driver was looking back at me and winking. It seemed I was to spend the night with her at the end of the line and the map showed that the bus would leave Tallinn and then make stops in Upstate New York and Ontario before reaching Manitoba. It was going to be a long night. At Kanuti though my friend Erland got on, looking much the rogue figure with his shoulder-length hair, like he should be in the Swedish Guns N’ Roses or something. When I told him the plan he immediately tried to talk me out of it. “All of these bus driver ladies are the same,” Erland told me, shaking his head. “Trust me, this has happened to me so many times. They invite you on the bus, play your favorite music, take you back to their hotels at night,” again he shook his head. “So, what’s wrong with that? She seems okay.” The bus driver turned her blonde head toward me and winked again. “No, no, no,” said Erland. “That part’s fine, but afterward, she is going to expect you to be in love with her.” “Me? In love with a Tallinn bus driver?” (“Oh, yes, you got a fine sister,” Robert Plant sang on. “She warmed my blood from cold. She brought my blood to boiling hot, to keep you from the gallows pole.”) “Hey, this is a good song,” said Erland. “It’s Led Zeppelin III.” “Well, as I was saying, if you go out there with her tonight, she’s going to expect you to love her forever after that. Do you really want to love her forever?” I deliberated the proposal, but reached no certain conclusion. “Let’s just get off this bus, go get a coffee or something. I know a café in the Old Town.” When the bus pulled into Rocca Al Mare, we gave her and the others the slip. We went inside and hung out by the arcade until the next bus came to take us downtown. Then I remembered that Erland wasn’t vaccinated and didn’t have his QR code, but it didn’t seem to make a difference. Nobody had been checking codes anyway.

lou reed’s garage

LAST NIGHT I WENT to see Lou Reed in his garage. This is actually a second building on his property out on Long Island that he has also converted into a studio, and which serves as well as a makeshift museum for Velvet Underground memorabilia. I thought he was going to dish on the creative good stuff, but like too many pro musicians, he just wanted to talk business. “And that’s when our new manager came in and we actually started making some money,” and so on.

There were also some never-before-seen promotional photos for The Velvet Underground & Nico featuring Nico dressed up in banana yellow, with the rest of the band crowded around her in their vintage 1967 hipster attire, and the Chrysler building in the background. Nico looked quite sexy in the photos. That banana yellow brought out her charm. How did I never notice that Nico was so sexy? How had this fact of the universe avoided me?

For whatever reason, I decided not to impart this observation to Lou Reed. Maybe he would get jealous? And wasn’t he bisexual or something? Better not to tell Lou. “But Lou, why do people like this album so much?” I asked. “So many people tell me that this is their favorite album. Why this one? Do you really think it’s that good?”

“If you’ve never heard something that sounds like that before, then I think you would be inclined to think that it’s good,” said Lou licking his lips. “If you’ve never had that experience before, you are more inclined to remember it. That is how ‘Venus in Furs’ becomes a seminal event in any person’s life, that very first time they hear it.”

Who was I to argue with the man? “Do you remember where you were, the first time you heard it?” he asked. I remembered it quite well. There was a high school girl I knew who spoke admirably of bondage. She became my imaginary “Venus in Furs” plenty of times. “Do something new and they will love you for it, eventually,” said Lou. “Andy taught me that.”

“But what about John,” I pressed on. “John who?” “John Cale, your viola and bass player. I always loved his story. He moves to New York from Wales and joins the Dream Syndicate, and then Velvet Underground. The two coolest named bands that ever were.”

Lou just shook his head as he rummaged through stacks of shelved demos from circa 1969-70. This is the part of Lou Reed’s garage that he refers to as the Velvet Crypt. Apparently, they cut a whole other album around the same time Loaded came out that no one has ever heard for legal reasons.

“You know, the problem with John is that he was never good at making any money in the music business,” said Lou. “I had to take him under my wing for a while, show him the ropes. I hear he’s raking it in now.”

He said it with some satisfaction, but also a hint of sadness, as if he had been waiting here in his garage every day for the Welshman Cale to ring him, waiting while thumbing through old tapes and smoothing and and rerolling old Velvet Underground posters, waiting for his old buddy to thank him for his advice. The call, alas, had never come.

mccartney palace

THE MCCARTNEY PALACE was never called such. Rather it was referred to in French as the Palais McCartney. A large white and glass structure on the edge of a field of sumptuous flowers. A long drive in, both sides of which were lined with cars.

There was a soiree at Palais McCartney, and the man himself was supposedly there somewhere to welcome guests to the gala, but I never caught sight of Sir Paul. Instead my friend Jaak, the Estonian man of letters, invited me back to his house, which was not a palace, to show off his collection of novels, novellas, poetry, and various trophies he had been awarded from diverse writerly entities, organizations, and unions. He had at least a dozen of these golden statues on one shelf which he gestured to wildly, an arm tossed in the air, as he explained one thing or another.

Then we went back to the Palais McCartney for lunch, which was really terrible, I mean the kinds of steaming metal buffet meals one gets in the worst roadside motels in the States. How could this be? I thought McCartney was deep into food, you know. The Kasemetsad were there, and other members of the Estonian intelligentsia.

Later there was some kind of rupture in the space-time continuum and we were all herded behind a chain-link fence on the edge of a field at night watching the stars. There was a Frenchman there lecturing everyone on the proper way to pronounce Jeanne d’Arc. “It’s d’Arc, not D’Arc.”

Then there was a UFO landing of celestial polar bears, who began to devour everything in sight. Meantime I was trying to do an interview with some British entrepreneur, who kept asking me, “What is that noise in the background?”

To make matters worse, a woman went into labor, so she was giving birth while these bears of the stars ate up everything they could sink their teeth into. I remember climbing that chain link fence, leaping over, landing on my feet and running still.

Looking back to see the agony of the woman in childbirth. How could McCartney leave us here like this? And what had happened to Jaak? He was just here a minute ago. The last thing I can recall is a silvery thread slipping and undulating through the cosmos, teasing me up and into a new and different black comfort. Freyja was there, and I succumbed to a deeper and restorative sleep.

the hatch

THERE WAS A HATCH in the living room floor, one I hadn’t noticed until last night. And there was someone living under the floor whom I could only see when she lifted the hatch to watch me, only to disappear again into the darkness. I want to say it was a younger woman with blonde hair. Her skin, at least, was light. Her eye color could not be discerned in the twilight.

She only lifted the hatch, watched my movements, and then closed it when she saw I was watching. I tried to wake my daughter to tell her about the woman living in the cellar and the heretofore undiscovered wooden hatch in our home, but when I went to rouse her, something strange happened. My father was in her bed instead, wearing an old-fashioned knit cap.

“What is it?” he said. “Dad! What are you doing here?” “Oh,” he yawned. “I just came in here to get some sleep.” “Dad, there’s a hatch in the living room. A young woman is living under the floor.” “Oh her? She’s always been there. Now, please, boy, let me get some sleep. We can talk about her in the morning.”

I walked back into the living room and saw her rather pretty face from underneath the hatch. Then she shut it and retreated back away into her hiding place.

a regular on the spa circuit

FISH’S WEEK NOW WENT LIKE THIS. Monday’s were spent at the Tallinn Viimsi Spa, followed by a Tuesday residence at Laulasmaa. Wednesday was his Tartu day. He would take his lunch in the atrium at the Kvartal Spa on the top floor of the department store complex, with scheduled appearances in the Finnish sauna and Russian banya at 2 pm and 3 pm, respectively.

Thursday was a day Fish spent on the road, with an afternoon lunch in Suure-Jaani, then an evening alternating guest slot at some of the lesser-favored Pärnu bath houses (the Estonia Spa was his favorite Thursday night haunt, but he sometimes would spend time at Terviseparadiis — the Health Paradise — just to curry favor with the ownership). Most of Friday too was occupied by Pärnu slots, Hedon and others, and then he would helicopter out to Saaremaa for an evening massage at the Grand Rose. This was covered extensively in the local media, and Fish was even offered his own guest column in Oma Saar newspaper.

By Saturday, Fish was in Haapsalu being bathed in hot mud at Spa Hotel Laine. Sundays he took quietly in downtown Tallinn Water World and Spa. It was a tight schedule, and friends remarked on his new ruddy, broiled complexion. Fish had many girlfriends in each of the spas who came to depend on his regularity, and there were many social media posts that featured the handsome, dark-haired man waving, engulfed by adoring blondes.

For whatever reason, I had remained unaware of Fish’s new gig as a regular on the spa circuit, a new concept cooked up by an Estonian creative marketing team called the “spa celebrity.” As far as I knew, he was still working as a tour guide in Vienna, showing tourists around the haunts of Sigmund Freud, Leon Trotsky, Adolf Hitler, and other great men. Each tour would end with an evening at a beer hall and complimentary baskets of pretzels. He led an abstemious lifestyle, and shared a small apartment in the Favoriten District with a local accordionist. Yet he took readily to his glut career as a celebrity spa guest. He became so full of himself that he forget to tell me that he had moved to Estonia. Disappointed in Fish I was, you might say, yet so intrigued.

It was there, visiting Fish during an appearance in Pärnu, that I noticed that the Windy One had returned to work as a physical therapist. There she was with her chocolate hair, full lips, oblivious as always to my love and presence. She just stood there quietly in the corner, folding some white towels, dressed in the light blue shirt of the spa staff. It seemed somehow appropriate that I would encounter this particularly intangible soulmate in some hidden floor of some forgotten spa while visiting someone as otherworldly as our Fish.

The Windy One did not want to see me. She did not want to talk to me. She ignored me, wanted nothing of me. Yet I said nothing as I took her hand and pressed it into mind, and then we kissed each other and the love channels were reopened. “There, see,” I told her. “Now everything can breathe. Now we can begin again.” The Windy One nodded and went back to folding her towels. When I returned to the foaming hot baths with Fish, a surfeit of Pärnu lasses was clinking cocktails around us. Fish said I had changed.

“It’s you, old buddy!” he gripped me by the shoulders. “You’re back! Where have you been these years?”

“I just went to get a fresh towel,” I said.

“Good times, man. Good times!”

I furnished a waterproof dictaphone and began. “How does one become an Estonian spa celebrity? Start with your childhood. Were you always drawn to spas?” And on it went.