the rehabilitation of dulcinea

SOME THINGS DON’T DIE EASY. This I learned the hard way. I had to tell my story to someone, so I told the Count, who is descended from some Russian aristocratic family, but actually grew up in the South Estonian countryside and doesn’t speak a lick of the Russian language. He wears cool band t-shirts and a flannel shirt over them, like it was 1992, or ’82 for that matter, and his brown hair is going gray. When he wears his glasses, such as when perusing a menu, he almost looks like a person who should be taken seriously. And this was the setting for me bawling my heart out over Dulcinea, the girl who broke my heart in two.

Or at least blocked me on social media.

“Why did she block you?” asked the Count. He had his glasses on when he asked, and seemed quite serious. “I wrote her too many romantic letters,” I said. “I had promised her I wouldn’t.”

“Then why did you write more to this girl, what did you say her name was again?” “Dulcinea.” “Dulcinea,” he repeated. “The name does sound familiar.” I showed him her picture. “Well, she is attractive,” he said. “Yes,” I agreed. “But if someone tells you to stop doing something, maybe you should stop.” The Count set the menu down on the table, like a lawyer resting his case.

I nodded in silence and my french fries arrived. I let them sit. “I didn’t want to write more romantic letters to Dulcinea,” I told the Count. “There was just this feeling building inside of me. If I hadn’t written those romantic letters to the girl, I would have just exploded into bits.”

The Count removed his glasses and wiped them clean with his flannel shirt. Underneath I could see his blue t-shirt. The t-shirt had written on it, in big block white letters, The Clash. He put his glasses back on. “Yes,” the Count said staring. His smart eyes were beady black. “That’s what the serial killers say too.”

“Fortunately, I’m not a serial killer,” I said, wondering how the Count knew so much about serial killing. I didn’t get a chance to ask. His tarot-toting mistress arrived. She too knew the sad tale of Dulcinea. I showed her a photo of the girl. Her strawberry blonde hair was draped about her shoulders and she was wearing a black hat in the photo. It had been taken in the countryside. “This girl Dulcinea does seem to have a kind of witchy energy,” the Count’s consort said. Was she the Countess? Actually, the girl had supposedly seen the light and eschewed the occult for good. But the line between sorcery and Christianity in Northern Europe had never been clear. Earlier that day, I had drawn The Devil from the Countess’ deck. When I had asked about Dulcinea, I saw The Tower engulfed in flames and white lightning.

Still it wouldn’t leave me. The idea of her put a chill in me like the air before a thunderstorm.

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