tartu elevator

I DIDN’T REALIZE that there was a cluster of houses in a hollow across from Kassitoome in Tartu. How I had never walked into this secret hideaway neighborhood was a mystery to me. That it had been repossessed by hipsters and eco-hippies was not surprising. I suppose it had once been a little industrial alley of shoemakers and blacksmiths in the old days, but now there were little red brick bungalows and wobbly lean-to wooden huts serving up tropical smoothies and chickpea-flour wraps. Men with well-groomed beards recounted their adventures in climbing Nepalese mountains, or picking avocados in the Southern Hemisphere, or how they got the first of a whole series of tribal tattoos, while their dreadlock-headed consorts flagrantly nursed their babes in plain view and talked about vaccines and Chinese astrology.

At the end of this alley, there was a tall building that opened up on the other side onto Jakobi Street. This served as a newer part of the University of Tartu Museum, but there was some office space upstairs. I walked into the lobby, and took the elevator up, hoping to come out on Jakobi Street on the other side. But instead, the great glass elevator only went higher and higher until it reached the very top floor. It continued to rise, and I could feel the elevator itself begin to come apart. I panicked and held onto a bar, in case the floor collapsed out from beneath me. Then I kicked the door to the elevator apart, as hard as I could. At last, the glass shattered, and a man in a suit came running from the desk of the museum and helped me out. He looked a bit like Steve Carell in his role as “Michael” in The Office. “Michael” apologized for the inconvenience, but I didn’t care. I was just happy to get out of that Tartu death trap alive.

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